Debra Oswald is a playwright, screenwriter and novelist. She is a two-time winner of the NSW Premier's Literary Award and author of the novels Useful (2015) and The Whole Bright Year (2018). She was creator/head writer of the first five seasons of successful TV series Offspring. Her stage plays have been performed around the world and published by Currency Press. Gary's House, Sweet Road and The Peach Season were all shortlisted for the NSW Premier's Literary Award. Debra has also written four plays for young audiences - Dags, Skate, Stories in the Dark and House on Fire. Her television credits include award-winning episodes of Police Rescue, Palace of Dreams, The Secret Life of Us, Sweet and Sour and Bananas in Pyjamas. Debra has written three Aussie Bites books for kids and six children's novels, including The Redback Leftovers, Getting Air and Blue Noise. Debra has been a storyteller on stage at Story Club and will perform her one-woman show, Is There Something Wrong With That Lady?, in 2021.
'The Family Doctor is a compelling thriller - fast-paced, gripping and frightening. But is more than that because it is a story that draws desperately needed attention to domestic abuse in this country, to institutional indifference, to the devaluing of women's lives. The Family Doctor is a cry for change.' Sofie Laguna, Miles Franklin Award-wining author of The Eye of the Sheep and Infinite Splendours 'Brilliant. So compelling on so many levels.' Chris Hammer, author of Scrublands 'Debra Oswald is always deft at capturing the nuances of female friendship and romantic attraction, but this time she brings them to a pitch of pulse-racing intensity. Delving into the dark world of domestic violence and society's abject failure to protect those most vulnerable, she has produced a gripping thriller, brimming with heart and intellect.' Geraldine Books, author of The Secret Chord 'Mesmerising and heart-breaking. A perfect story for this moment in time.' Sarah Bailey, author of Where the Dead Go 'The Family Doctor brings urgent news, taking the reader into suburban battlegrounds kept private by the threat and actuality of violence. In crystal-clear prose, Debra Oswald unveils an all-too-believable world of love and loyalty stretched to the limit, with agonising consequences when the best people are forced to do the worst things. When is it justified to fight fire with fire? The moment you finish this novel you will want to find someone else who has read it and talk all night about the vital questions it raises.' Malcolm Knox, author of Bluebird