Guido Olivieri is Professor of Instruction in Musicology at the University of Texas, Austin. He co-edited the volume Arcomelo 2013 (2015), the edition of A. Corelli's Sonate di Assisi (2015), the critical edition of Cimarosa's Il matrimonio segreto (forthcoming), and published editions and articles on seventeenth- and eighteenth-century instrumental music.
'Olivieri's monograph represents a significant contribution to the knowledge and artistic understanding of instrumental music in early modern Naples. Based on an array of heretofore unexamined and unknown archival, technical and musical sources, it offers a vivid portrait of the rise of the Cappella Reale, affiliated musicians, burgeoning artistic practices, shifting political regimes, and specific new genres of string music. Yet its focus extends beyond the southern Italian metropolis reaching other significant musical capitals on the Italian peninsula and continent such as Paris and Vienna, to offer a global portrait of the influence and impacts of eighteenth-century Neapolitan virtuosi.' Anthony DelDonna, Georgetown University