Compositional Choices and Meaning in the Vocal Music of J. S. Bach

Mark A. Peters, Reginald L. Sanders, Robin A. Leaver , Wye J. Allanbrook

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English

Lexington Books
04 June 2018

Baroque music (c 1600 to c 1750); Sacred & religious music; Individual composers & musicians, bands & groups

Series: Contextual Bach Studies

Compositional Choices and Meaning in the Vocal Music of J. S. Bach collects seventeen essays by leading Bach scholars. The authors each address in some way such questions of meaning in J. S. Bach’s vocal compositions—including his Passions, Masses, Magnificat, and cantatas—with particular attention to how such meaning arises out of the intentionality of Bach’s own compositional choices or (in Part IV in particular) how meaning is discovered, and created, through the reception of Bach’s vocal works. And the authors do not consider such compositional choices in a vacuum, but rather discuss Bach’s artistic intentions within the framework of broader cultural trends—social, historical, theological, musical, etc.

Such questions of compositional choice and meaning frame the four primary approaches to Bach’s vocal music taken by the authors in this volume, as seen across the book’s four parts: Part I: How might the study of historical theology inform our understanding of Bach’s compositional choices in his music for the church (cantatas, Passions, masses)? Part II: How can we apply traditional analytical tools to understand better how Bach’s compositions were created and how they might have been heard by his contemporaries? Part III: What we can understand anew through the study of Bach’s self-borrowing (i.e., parody), which always changed the earlier meaning of a composition through changes in textual content, compositional characteristics, the work’s context within a larger composition, and often the performance context (from court to church, for example)? Part IV: What can the study of reception teach us about a work’s meaning(s) in Bach’s time, during the time of his immediate successors, and at various points since then (including our present)? The chapters in this volume thus reflect the breadth of current Bach research in its attention not only to source study and analysis, but also to meanings and contexts for understanding Bach’s compositions.

Foreword by: Robin A. Leaver
Contributions by: Wye J. Allanbrook, Gregory Butler
Edited by: Mark A. Peters, Reginald L. Sanders
Imprint: Lexington Books
Country of Publication: United States
Dimensions: Height: 231mm, Width: 162mm, Spine: 27mm
Weight: 739g
ISBN: 9781498554954
ISBN 10: 1498554954
Series: Contextual Bach Studies
Pages: 354
Publication Date: 04 June 2018
Audience: Professional and scholarly , College/higher education , Undergraduate , Further / Higher Education
Format: Hardback
Publisher's Status: Active

Mark A. Peters is professor of music at Trinity Christian College. Reginald L. Sanders is professor of music at Kenyon College.

Reviews for Compositional Choices and Meaning in the Vocal Music of J. S. Bach

Don Franklin is a preeminent Bach scholar, and this volume of enlightening case studies on meaning in Bach's vocal music by his colleagues and former students is a marvelous tribute that does both Franklin and Bach a signal honor. -- Michael Marissen, author of Bach & God An admirable set of essays about an important body of music. Taken together, this collection significantly advances scholarly discourse about the vocal works of J. S. Bach. -- Stephen Crist, Emory University