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Michael Marissen is Daniel Underhill Professor Emeritus of Music at Swarthmore College, where he taught from 1989 to 2014. He has also been a visiting professor on the graduate faculties at Princeton University and the University of Pennsylvania. His publications include The Social and Religious Designs of J. S. Bach's Brandenburg Concertos (Princeton, 1995), Lutheranism, anti-Judaism, and Bach's St. John Passion (Oxford, 1998), An Introduction to Bach Studies (co-author Daniel Melamed; Oxford, 1998), Bach's Oratorios (Oxford, 2008), Tainted Glory in Handel's Messiah (Yale, 2014), and essays in Lutheran Quarterly, Harvard Theological Review, The Huffington Post, and The New York Times.
This collection is a valuable resource and fascinating reading to anyone who appreciates Lutheran history and theology, J. S. Bach and his works, or historical research into theology. -- Nancy Saultz Radloff, Anglican and Episcopal History Michael Marissen's courageous and challenging investigations into the religious meaning of Bach's music have been hidden away in theological journals long enough. This book makes them available to all musicians and music lovers who want their Bach at full, at times unnerving, strength. Anyone willing to brave this book will be fascinated and vastly enriched. --Richard Taruskin, author of the Oxford History of Western Music A persuasive, much-needed historical study of an important, overlooked topic, based on a careful analysis of the primary sources and presented with clarity and attention to relevant detail. --George W. E. Nickelsburg, Professor Emeritus of New Testament Studies, The University of Iowa Michael Marissen is one of the most widely discussed scholars currently addressing the theological dimensions of Bach's music...this work cannot be ignored, and, like his other works, deserves a wide readership. --Professor Jeremy Begbie, Duke University Essentially, Marissen...is a philologist of the first order: examining original sources with accessible translations and providing clear and detailed understanding of the word. --The Bach Cantata Website In Bach & God, a new collection of essays by musicologist Michael Marissen, Johann Sebastian Bach's relationship to Lutheranism gets the careful, historical attention it deserves...Michael Marissen's Bach & God is an absolute necessity for scholars in the fields of musicology, church history, comparative religion, and theology. --Reading Religion Highly recommended. --Choice 'Bach & God' (Oxford) is the splendid title of a new book by Michael Marissen, a professor emeritus at Swarthmore College. It brings to mind two approximately equal figures engaged in a complicated dialogue, like Jefferson and Adams, or Siskel and Ebert. The book is one of a number of recent attempts to grapple with Bach's religiosity. --The New Yorker [Marissen's] most interesting chapters offer several examples of how Bach's musical settings put 'a religious spin on its religious text.' Later he shows how Bach music and text need to be understood in light of the specific phraseology and ideas of the Luther Bible and the commentaries of his day. Like many Christians, Bach underlined his annotated Bible, and we still hear his marginalia in his music. --First Things The book is very well documented and the analysis therein (both from a musicology standpoint and a religious studies perspective) is coherent overall ... [I]t is an excellent addition to the critical studies into the religious meaning of Bach's music. --Ronald Charles, Assistant Professor of Religious Studies at Saint Francis Xavier University, Antigohish, Nova Scotia, Canada and violinist, admirer of Bach.
