Tabitha Stanmore is a social historian of magic and witchcraft at the University of Exeter. She is part of the Leverhulme-funded Seven County Witch-Hunt Project, and her doctoral thesis was published as Love Spells and Lost Treasure- Service Magic in England from the Later Middle Ages to the Early Modern Period. She has featured on Radio 3's Free Thinking and BBC 4's Plague Fiction, and her writing has been published in the Conversation.
This is a brilliant book, written with wit and vigour, in which Tabitha Stanmore explores the pre-modern places where magic was real, offering not only practical solutions for ordinary problems but a way of feeling about the world, an emotional relationship between anxious humans, cosmic forces, and the mundane mysteries of their lives * Malcolm Gaskill, author of The Ruin of All Witches * Absolutely fascinating. Cunning Folk is a much-needed book that draws attention to a little-known but important aspect of daily life. Like all good history books, it tells us about ourselves as well as the past. It will both inform and inspire readers * Ian Mortimer, author of Medieval Horizons * Eye-opening ... [Cunning Folk] gives a human face to magic in medieval and early modern England, bringing us closer than ever to the hopes, dream and aspirations of both clients and practitioners * History Today * Tabitha Stanmore’s engaging new social history of magic . . . full of such magical tips and colourful vignettes . . . She’s clearly a sharp reader of social realities, and sometimes offers clear-eyed social assessments of why magical rituals had real-world consequences . . . the result is this cheerful, colourful compendium of stories, which crackles with incident -- Kate Maltby * Financial Times * Illuminating… Cunning Folk shows us that our forebears were seeking answers through the tools they had * Spectator *