Tulips and Peacocks

William Morris and Art from the Islamic World

Rowan Bain

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English

Yale University
08 October 2024

Art & Architecture; The Arts: General & Reference

An introduction to William Morris's personal collection of artworks from the Islamic world and how they came to influence his pattern-making

One of the principal founders of the Arts and Crafts movement, William Morris was responsible for hundreds of patterns for wallpapers, fabrics, tapestries, and carpets that are iconic of the late nineteenth century and continue to resonate today. It is now widely acknowledged that his artistic production was stimulated by his deep familiarity with embroideries, woven velvets, silks, carpets, and metalwork from Iran, Syria, and Turkey, which he collected throughout his lifetime.

Ranging from popular nineteenth-century tourist merchandise to rare artefacts of historical significance, Morris's collection is a testament to the interconnectedness of global artistic traditions and the enduring importance of recognising the contributions of various cultures to the evolution of his design and craftsmanship. This highly illustrated publication offers diverse perspectives in contextualising Morris's role within contemporary debates around colonial collecting, Islam's representation in the museum context, and issues of cultural appropriation from contributors within the field of British Arts and Crafts and Art from the Islamic world.

By: Rowan Bain
Imprint: Yale University
Country of Publication: United States
Dimensions: Height: 270mm, Width: 216mm,
ISBN: 9780300276169
ISBN 10: 0300276168
Pages: 200
Publication Date: 08 October 2024
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

Rowan Bain is principal curator of the William Morris Gallery, London. She curated Althea McNish: Colour Is Mine (2022), Kehinde Wiley: The Yellow Wallpaper (2020), and May Morris: Art & Life (2017).

Reviews for Tulips and Peacocks: William Morris and Art from the Islamic World

“Beautifully illustrated [with] excellent contributions for the exhibition’s curators.”—Diane Darke, Times Literary Supplement “The richness and vitality of the publication and the exhibition will provoke interest and provide inspiration for all.”—Mary Greensted, DAS