This book argues for the relevance, appropriateness, and usefulness of historical materialism to the musicological project. It interrogates the history of encounters between Marxism and music studies — both within and without the Soviet sphere — before staging the missed encounter between classical musicology and Second International Marxism. It concludes with a framework for understanding style history in terms of changes in the forces and relations of musical production.
By:
Stephan Hammel Imprint: Brill Volume: 328 Dimensions:
Height: 235mm,
Width: 155mm,
Weight: 406g ISBN:9789004537927 ISBN 10: 9004537929 Series:Historical Materialism Book Series Pages: 165 Publication Date:15 August 2024 Audience:
Professional and scholarly
,
Undergraduate
Format:Hardback Publisher's Status: Active
Acknowledgements Introduction 1 The Realist Conception of Art 1 The Realist Conception of Art 2 The Materialist Conception of Music History 2 The Cultural Phase of Industry 3 Disenchantment and Musicological Method 1 Either History or Aesthetic Experience 2 Against Marxism 3 Against Positivism 4 Classical Musicology 4 Democratic Formalism 1 Failed Revolution and Liberalisation 2 Discursivity and the Authority of Musical Norms 3 Against the Rule of Sentiment 5 Style Criticism and Historical Materialism 1 Style and Its Discontents 2 Style and Spirit 3 Style and Technique 4 Style and Historical Materialism 6 Forces and Relations of Musical Production 1 Forces and Relations 2 Primitive Musical Communism 3 Minstrel and Chapel Singer 4 Thoroughbass and the Opera Industry 5 The Musician Entrepreneur 6 Organised Musical Labor 7 After Capitalism Appendix: The Harmonic Ideology Bibliography Index
Stephan Hammel, Ph.D. (2014), University of Pennsylvania, is Associate Professor of Music at the University of California, Irvine.