Eric Vuillard is a writer and filmmaker born in Lyon in 1968 who has written nine award-winning books, including Conquistadors (winner of the 2010 Prix Ignatius J. Reilly), and La bataille d'Occident and Congo (both of which received the 2012 Prix Franz-Hessel and the 2013 Prix Valery-Larbaud). He won the 2017 Prix Goncourt, France's most prestigious literary prize, for L'ordre du jour.
[A] masterpiece . . . [Vuillard] illuminates in glorious and ugly precision how the concentration of wealth and power, a cult of personality, political corruption, bigotry, and narcissism are the necessary but sometimes ignored steps that lead to catastrophe. -- Favorite Books of the Year * Literary Hub * [The Order of the Day] scripts the awful behind-the-scenes march, with all its corporate and foreign complicity, from 1933 to Hitler's rise to power in ways so closely observed it feels lived. -- Best Books of the Year * Boston Globe * Vuillard has a good eye for issues such as war, empire, the fate of colonized peoples, and the gulf between perception and reality...[His] prose - muscular, concrete, richly inventive, ironic, sardonic, opinionated - is no doubt the feature of The Order of the Day that most appealed to the Goncourt jury. Vuillard is expert at black humor. * New York Review of Books * Eerily resonant . . . a story of ultimatums and compromises, forced agreements and wishful thinking among European powers. * The Times * Striking imaginative flair . . . Vuillard explores the thoughts and feelings of his protagonists with nimble facility in this tour de force of enhanced realism. * i * A fascinating novelisation of the pivotal meetings that took place in the run up to the Second World War . . . A damning indictment of politicians and those in power, with obvious resonances in today's global political climate. * Big Issue * Snatched from oblivion, these scenes spring to life in our minds like a jack-in-the-box. * Le Figaro Litteraire * Brief and striking . . . history behind the scenes. * L'Express * Just brilliant. [ . . . ] Vuillard shows what literature is capable of in its moments of greatness: a lightning-like transformation of a tired, old, and far too often told story into a shocking new narrative. * Der Spiegel * A powerful story you read in one go, with astonishment and dread. * La Presse * A book whose staggering power lies in its simplicity. * Le Monde * Beautifully and economically crafted . . . The Order of the Day is a stark examination of the price of silence, the cost of sticking to the rules to keep the peace, and the human toll when ruling elites not only go along to get along, but support the ravings of a violent and vengeful leader. * Millions * Offering us a seat at the jolly lunches and country retreats where a handful of men condemned their nations to unthinkable slaughter, The Order of the Day is a powerful warning that cowardice saves no one, not even the coward. -- Alex Christofi, author of <i>Glass</i> A chilling, gripping novel - it takes a number of key moments in the run-up to the Second World War and uses tremendous skill and verve to dramatize hours and minutes in which often quite ordinary men took decisions that would destroy whole nations. -- Simon Winder, author of <i>Germania</i> Quietly momentous. * Evening Standard * Gripping . . . The method of [The Order of the Day] is to peel away the veils of dissimulation, disguise and self-justification that conspire to make historical disasters appear as just the way things happen. * Wall Street Journal * Remarkable . . . It captures the bizarre blend of wishful thinking, clownish self-importance, and cold calculation that characterized many of the Nazis' powerful enablers. * New Yorker * A thoroughly gripping and mesmerising work of black comedy and political disaster. It seems designed single-mindedly to remind us that, as it says, Great catastrophes often creep up on us in tiny steps. * Guardian * A tightly paced and gripping read . . . Vuillard has written a magnificently entertaining account that manages to capture the wild and uneven emotional climate of the 1930s and speaks too to our own era of liars, demagogues and politics as farce, which, as Vuillard deftly shows us, can slide all too quickly into tragedy. -- Andrew Hussey * Observer *