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Andrew Miller's first novel, Ingenious Pain, was published by Sceptre in 1997. It won the James Tait Black Memorial Prize, the International IMPAC Dublin Literary Award and the Grinzane Cavour Prize for the best foreign novel published in Italy. It has been followed by Casanova, Oxygen, which was shortlisted for the Booker Prize and the Whitbread Novel of the Year Award in 2001, The Optimists, One Morning Like a Bird, Pure, which won the Costa Book of the Year Award 2011, The Crossing, Now We Shall Be Entirely Free, The Slowworm's Song and The Land in Winter. Andrew Miller's novels have been published in translation in twenty countries. Born in Bristol in 1960, he currently lives in Somerset.
Finally, a recent publication that deserves the widest attention. Andrew Miller is known for acute and unnerving historical novels such as Pure and Ingenious Pain, but in The Land in Winter, a study of two young marriages during England's 1962-3 Big Freeze, he may have written his best book yet. The shadows of madness, and of the second world war, extend into a world on the cusp of enormous social change. Miller conjures his characters and their times with a subtle brilliance that is not to be missed -- The best fiction of 2024 * Guardian * Delicate and devastating . . . a brilliant novel, but wrap your emotions up tight because Miller steers it expertly towards a desolate, distressing ending -- Martin Chilton * Independent * A novel of dazzling humanity and captivating, crystalline prose -- Hephzibah Anderson * Mail on Sunday * Miller is on superb form here as he portrays the everyday lives of country doctor Eric and farmer Bill and their respective wives, Irene and Rita, both of whom are expecting their first child. This is a story of conformity and conflict - against the elements, societal changes and the characters' sense of themselves. That inner turmoil is brilliantly crafted, and the depiction of the local asylum in particular is chilling in every sense * Observer * The writing is stunning and the details of the 1960s setting are particularly evocative. Another psychologically rich novel from one of my favourite writers -- 20 best books of the year * Good Housekeeping * Deeply evocative . . . a memorable slice of historical fiction * Daily Mail * Psychologically acute . . . For 200 impeccable pages Miller gives us four intensely imagined inner lives . . . gripping * Times Literary Supplement * This story of two marriages brilliantly evokes the legacy of the second world war. Andrew Miller is a master of nuance, expert at exploring the various chambers of the human heart . . . For all its wintry setting and cold echoes of the past, and for all that it opens with a death in an asylum, this is not a bleak book. The people in it yearn and reach; they make mistakes, too - some of them terrible. But all the while, somehow, you feel - you hope - they might find a way through . . . In The Land in Winter, Miller's characters have looked into the abyss. It makes the ordinary business of living at once very difficult and very necessary -- Rachel Seiffert * Guardian * Beautifully done -- James Walton * The Times * Moving . . . offers a full display of Miller's gifts . . . In the white violence of the winter terrain, the narrator's voice wreaths around everything. That voice is the glory of The Land in Winter * Literary Review * Intimate . . . The writing is stunning and the details of the 1960s setting are particularly evocative. Another psychologically rich novel from one of my favourite writers -- Joanne Finney * Good Housekeeping * Miller works magic, bringing to life not just human relations, but the Sixties too, before they began to swing * Saga Magazine * With each new novel, Andrew Miller revitalises the form and takes the reader to extraordinary new places. His work is truly exploratory, never still in its ambition or human dynamics. There's always immense sensuality, disquiet, drama and wisdom in his books, but The Land in Winter is outstandingly beautiful and immersive in its storytelling. It's disruptive and graceful beyond anything I've read or could hope to write. He is the novelists' lodestar -- Sarah Hall, author of BURNTCOAT Sentence after sentence, The Land in Winter is beautifully intricate, deeply moving, and utterly absorbing -- Claire Fuller, author of UNSETTLED GROUND I loved it from the first line. The Land in Winter is going to be such an important book - one that we need now. The relentless dignity and vulnerability of ordinary work in the aftermath of horror - the eggs still need scrambling and the cows milking no matter what - and the rough and awkward work of love as part of the same picture feels absolutely essential. It was gently and startlingly beautiful -- Jenn Ashworth, author of GHOSTED The Land in Winter is a wondrous novel about the interior lives of the occupants of two marriages, set in the intensely realised physical world they inhabit. Andrew Miller's talent is to allow us into their world - into their houses and into their minds - so that we see them both as young marrieds in an English village in the coldest winter of the twentieth century and as souls passing through the snowstorms of time -- Tim Pears, author of The West Country Trilogy A beautifully written, slow-burn portrait of a moment and place in time, it excavates the intricacies of the human heart -- Editor's Choice * The Bookseller * PRAISE FOR ANDREW MILLER 'His writing is a source of wonder and delight' HILARY MANTEL 'One of our most skilful chroniclers of the human heart and mind' SUNDAY TIMES 'Unique, visionary, a master at unmasking humanity' SARAH HALL This is a quiet book about quiet lives; internal turmoil trumping external drama. But the delicate attention Miller affords his characters' inner lives makes for incredibly satisfying reading. Also notable is his elegant, measured prose . . . You can sink into this novel as one would into freshly driven powdery snow -- Lucy Scholes * Financial Times *
