PERHAPS A GIFT VOUCHER FOR MUM?: MOTHER'S DAY
J.R.R.Tolkien (1892-1973) was a distinguished academic, though he is best known for writing The Hobbit, The Lord of the Rings and The Silmarillion, plus other stories and essays. His books have been translated into over 60 languages and have sold many millions of copies worldwide. Wayne G. Hammond, is Assistant Librarian in the Chapin Library of Rare Books, Williams College, author of the standard bibliography of Tolkien's works, J.R.R. Tolkien: A Descriptive Bibliography (1993), and a regular contributor of Tolkien's notes to the journal Mythlore. He also lectures on the history of printing and illustration and is a practising book designer and graphic artist - making him the ideal co-author of the acclaimed study of Tolkien's paintings and drawings, J.R.R. Tolkien: Artist & Illustrator. His wife Christina Scull is the former librarian of Sir John Soane's Museum, London, author of The Soane Hogarths (1991) and the editor of the magazine The Tolkien Collector. The couple live in Williamstown, Massachusetts. Christina Scull is the former librarian of Sir John Soane's Museum, London. She is the author of 'The Soane Hogarths' (1991), edits the journal 'The Tolkien Collector', and frequently writes and speaks about Tolkien. Her husband, Wayne G. Hammond, is Assistant Librarian in the Chapin Library of Rare Books, Williams College, author of the standard bibliography of Tolkien's works, 'J.R.R. Tolkien: A Descriptive Bibliography' (1993), and a regular contributor of Tolkien's notes to the journal 'Mythlore'. He also lectures on the history of printing and illustration and is a practising book designer and graphic artist - making him the ideal co-author of the acclaimed study of Tolkien's paintings and drawings, 'J.R.R. Tolkien: Artist & Illustrator'. The couple live in Williamstown, Massachusetts.
‘How, given little over half a century of work, did one man become the creative equivalent of a people?’ THE GUARDIAN ‘Demanding to be compared with English mythologies… at times rises to the greatness of true myth’ FINANCIAL TIMES ‘A creation of singular beauty… magnificent in its best moments’ WASHINGTON POST
