Sviatoslav Richter

Notebooks and Conversations

M. Bruno Monsaingeon, Mr. Stewart Spencer

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Paperback

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Sicilian

Faber & Faber
01 July 2005

Music; 20th century & contemporary classical music; Individual composers & musicians, bands & groups; Keyboard instruments

'This book is almost impossible to put down.' Financial Times 'For anybody interested in 20th-century musical life [the Notebooks and Conversations] make fascinating reading, because Richter met everybody from Britten to Karajan, and had an opinion (usually scathing) about them all. But you don't have to be an aficionado to enjoy this rant: a genius on the rampage is always great entertainment.' Richard Morrison, The Times'Though most of the [notebook] entries are brief, they are vivid in their immediacy, and Richter's remarks about opera productions, conductors (he despised von Karajan and thought that Carlos Kleiber was the greatest) and individual works are constantly engaging.' Economist

By: M. Bruno Monsaingeon
Translated by: Mr. Stewart Spencer
Imprint: Faber & Faber
Country of Publication: United Kingdom
Edition: New edition
Dimensions: Height: 215mm, Width: 135mm, Spine: 35mm
Weight: 460g
ISBN: 9780571225118
ISBN 10: 057122511X
Pages: 464
Publication Date: 01 July 2005
Audience: General/trade , ELT Advanced
Language: Sicilian
Format: Paperback
Publisher's Status: Active

Reviews for Sviatoslav Richter: Notebooks and Conversations

'This book is almost impossible to put down.' Financial Times; 'For anybody interested in 20th-century musical life [the Notebooks and Conversations] make fascinating reading, because Richter met everybody from Britten to Karajan, and had an opinion (usually scathing) about them all. But you don't have to be an aficionado to enjoy this rant: a genius on the rampage is always great entertainment.' Richard Morrison, The Times; 'Though most of the [notebook] entries are brief, they are vivid in their immediacy, and Richter's remarks about opera productions, conductors (he despised von Karajan and thought that Carlos Kleiber was the greatest) and individual works are constantly engaging.' Economist