Sounds of Black Switzerland

Blackness, Music, and Unthought Voices

Jessie Cox

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English

Duke University Press
04 February 2025

Social & cultural history; Ethnic studies; Black & Asian studies; Wave mechanics (vibration & acoustics)

Writing as a scholar, composer, and musician, Jessie Cox foregrounds the experience of Black Swiss through sound and music in his first book, Sounds of Black Switzerland. Cox, himself Black Swiss, affirms the value of Black life through sound while critiquing anti-Blackness as a cause of erasure, silence, and limitation. He examines Swiss Nigerian composer Charles Uzor’s pieces for George Floyd, work by Black Swiss musicians such as DJ MaÏtÉ ChÉniÈre, clarinetist JÉrÉmie Jolo, and rapper Nativ, as well as his own musical collaborations with the Lucerne Festival. In these analyses, Cox tackles the particularities of anti-Blackness in Switzerland, creating a practice of listening beyond what can be directly heard to explore the radical potential of Black thought and experience in a nation often claimed to be race-free. In so doing, he ultimately shifts thinking about Blackness in relation to citizenship, immigration laws, gender, kinship, and belonging. By listening to Black Swiss and other voices inaudible to the current world, Cox theorizes new ways of practicing scholarly study and general ways of relating to others and the world.

By: Jessie Cox
Imprint: Duke University Press
Country of Publication: United States
Dimensions: Height: 229mm, Width: 152mm,
Weight: 363g
ISBN: 9781478031437
ISBN 10: 1478031433
Pages: 277
Publication Date: 04 February 2025
Audience: Professional and scholarly , Undergraduate
Format: Paperback
Publisher's Status: Active

Jessie Cox is Assistant Professor of Music at Harvard University.

Reviews for Sounds of Black Switzerland: Blackness, Music, and Unthought Voices

“Interspersing interstitial events of detailed listening with theoretical formulations derived from that listening, Jessie Cox teaches us about the specificities and varieties of Black life in Switzerland. He notes the fateful and fatal commonalities, particularly those that concern not just the problematic of identity but also the various forms of resistant survival that are given as refusals to identity. An extraordinary provocation and inspiration, Sounds of Black Switzerland prompts ecstatic responses and overwhelming questions.” - Fred Moten, author of (Black and Blur) “Jessie Cox crucially notes the importance of musical discourses, interdisciplinary modes of knowledge production, and storytelling for the communal ontologies of Black life in diaspora in Switzerland and beyond. He takes aspects habitually overlooked by mainstream knowledges and transforms them into Black diasporic critical instruments. Redrawing the critical maps of the relationship between contemporary Black Switzerland and sonic performance, this lucidly argued, theoretically sophisticated, and timely book will make an immediate contribution to Black diaspora studies, European studies, sound studies, and cultural studies.” - Alexander Ghedi Weheliye, author of (Feenin: R&B Music and the Materiality of BlackFem Voices and Technology)