Amy N. Monaghan is senior lecturer in cinema studies and literature at Clemson University. Her work has appeared in such publications as The Film Experience: An Introduction and Black Clock.
It is always a treat to hear Coppola discuss The Virgin Suicides and her more well-known works, but particularly fruitful are her thoughts on The Beguiled; Coppola makes fascinating connections between the Colin Farrell-Kirsten Dunst drama and her own work, especially Suicides, as well as Peter Weir's Picnic at Hanging Rock.--Christopher Schobert The Film Stage