Kore-eda Hirokazu

Marc Yamada

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English

University of Illinois Press
04 July 2023

Film theory & criticism; Film movie production: technical skills; Biography: arts & entertainment

Series: Contemporary Film Directors

Films like Shoplifters and After the Storm have made Kore-eda Hirokazu one of the most acclaimed auteurs working today. Critics often see Kore-eda as a director steeped in the Japanese tradition defined by Yasujirō Ozu. Marc Yamada, however, views Kore-eda’s work in relation to the same socioeconomic concerns explored by other contemporary international filmmakers. Yamada reveals that a type of excess, not the minimalism associated with traditional aesthetics, defines Kore-eda’s trademark humanism. This excess manifests in small moments when a desire for human connection exceeds the logic of the institutions and policies formed by the neoliberal values that have shaped modern-day Japan. As Yamada shows, Kore-eda captures the shared spaces formed by bodies that move, perform, and assemble in ways that express the humanistic impulse at the core of the filmmaker’s expanding worldwide appeal.

By: Marc Yamada
Imprint: University of Illinois Press
Country of Publication: United States
Dimensions: Height: 210mm, Width: 140mm, Spine: 25mm
ISBN: 9780252087264
ISBN 10: 0252087267
Series: Contemporary Film Directors
Pages: 176
Publication Date: 04 July 2023
Audience: General/trade , Professional and scholarly , ELT Advanced , Undergraduate
Format: Paperback
Publisher's Status: Active

Marc Yamada is associate professor of Interdisciplinary Humanities at Brigham Young University. He is the author of Locating Heisei in Japanese Fiction and Film: The Historical Imagination of The Lost Decades.

Reviews for Kore-eda Hirokazu

“Marc Yamada reveals how Kore-eda’s films connect to global audiences through their focus on figures like children suffering from neglect and families surviving at the bottom of the socioeconomic ladder. Yamada provides new approaches towards understanding Kore-eda’s work in terms of a broader critique of neoliberalism.”--Mitsuyo Wada-Marciano, author of Nippon Modern: Japanese Cinema of the 1920s and 1930s