This book examines in detail the formation of Canadian feature film policy from the 1950s to the present.
It pays special attention to the role played by producers, filmmakers, and
government agencies, in relation to the changing production practices brought about by Canadian television.
For Canadian policy-makers, the feature film was considered to be a signifier of cultural modernity.
Filmmakers' desire to experiment with a new format was subverted by a political-economic agenda intent on using the format to create cultural authenticity for a nation lagging behind its neighbour to the South.
Dorland crafts a careful historical analysis based on primary sources, including government records and in-depth personal interviews with key participants. Employing Foucault's concept of governmentality, Dorland analyses the state's interest in influencing and shaping feature film production.
A major contribution to scholarship on Canadian cinema, So Close to the State/s provides a revealing look at the relationship between culture and the state.
By:
Michael Dorland Imprint: University of Toronto Press Country of Publication: Canada Dimensions:
Height: 229mm,
Width: 152mm,
Spine: 16mm
Weight: 300g ISBN:9780802080431 ISBN 10: 080208043X Series:Heritage Pages: 222 Publication Date:29 September 1998 Audience:
College/higher education
,
Professional and scholarly
,
Professional & Vocational
,
A / AS level
,
Further / Higher Education
Format:Paperback Publisher's Status: Active
Michael Dorland is Professor in the School of Journalism and Communication at Carleton University.