Latin American Film Industries

Tamara L. Falicov (University of Kansas, USA)

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English

BFI Publishing
27 June 2019

Films, movies & cinema; Cinema industry

Series: International Screen Industries

Film production in Latin America is as old as cinema itself, but local film industries have always been in a triangulated relationship with Hollywood and European cinema. This book situates Latin American film industries within the global circulation of film production, exhibition and distribution, charting the changes that the industries have undergone from the sound era to the present day.

Focusing in particular on Argentina, Brazil and Mexico, Tamara Falicov examines commonalities among Latin American film industries, such as the challenges of procuring funding, competition from Hollywood, state funding battles, and the fickle nature of audiences, as well as censorship issues, competition from television, and the transnational nature of Latin American film. She addresses production, exhibition, and distribution contexts and financing and co-production with Europe and the United States, as well as the role of film festivals in funding and circulating films both within and outside of Latin America. Newer trends such as the revival of protectionist measures like the screen quota are framed in contrast to the U.S.'s push for trade policy liberalization and issues of universal concern such as film piracy, and new technologies and the role of television in helping and hindering Latin American cinema.

By: Tamara L. Falicov (University of Kansas USA)
Imprint: BFI Publishing
Country of Publication: United Kingdom
Dimensions: Height: 232mm, Width: 156mm, Spine: 10mm
Weight: 360g
ISBN: 9781844573103
ISBN 10: 1844573109
Series: International Screen Industries
Pages: 208
Publication Date: 27 June 2019
Audience: College/higher education , Primary
Format: Paperback
Publisher's Status: Active

Tamara L. Falicov is Associate Dean for Research in the Arts and the Humanities, College of Liberal Arts and Sciences and Professor of Film and Media Studies at the University of Kansas, USA, as well as affiliated with the Center for Latin American and Caribbean Studies. She is the author of The Cinematic Tango: Contemporary Argentine Film (2007).

Reviews for Latin American Film Industries

[T]here is no denying that Falicov has done her research. The result is an ambitious and timely elucidation of contemporary Latin American cinema as a complex and highly varied set of interconnected national industries * The Journal of Cinema and Media Studies *