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Sacred Choruses

John Rutter

$50.95

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English
Oxford University Press
29 November 2018
This volume comprises twenty-eight of the finest oratorio choruses, complete short choral works, and movements from masses or requiems from the seventeenth to the twentieth centuries. Drawing repertoire from Britain and mainland Europe, the volume features renowned choruses and familiar cornerstones of the repertoire, as well as some choral discoveries, all in new, carefully researched, and practical editions. Playable piano reductions for rehearsal use are included in the main volume, with a separate volume of purpose-made three-stave organ accompaniments, and newly typeset orchestral material available on rental. Intended for choral societies and cathedral, church, and concert choirs, this is a unique collection of choral classics for mixed voices and orchestra, and an invaluable practical addition to any choir's library.
Edited by:  
Imprint:   Oxford University Press
Country of Publication:   United Kingdom
Edition:   Vocal score on sale
ISBN:   9780193518827
ISBN 10:   0193518821
Pages:   384
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Book
Publisher's Status:   Active
Bach: Gratias agimus tibi (Mass in B minor) Bach: Jesu, joy of man's desiring (Cantata no. 147) Bach: Praise our God who reigns in glory (Ascension Oratorio) Bach: Subdue us by thy goodness (Cantata no. 22) Beethoven: Creation's Hymn Lili Boulanger: Pie Jesu Brahms: How lovely is thy dwelling place (A German Requiem) Durante ('Pergolesi'): Magnificat for five voices Elgar: The Spirit of the Lord (The Apostles) Faure: In paradisum (Requiem) Franck: Psalm 150 Handel: For unto us a child is born (Messiah) Handel: Hallelujah (Messiah) Handel: Let their celestial concerts all unite (Samson) Handel: See, the conqu'ring hero comes (Judas Maccabaeus) Handel: March (Judas Maccabaeus) Handel: Sing unto God (Judas Maccabaeus) Handel: Zadok the priest Haydn: Insanae et vanae curae Haydn: The heavens are telling the glory of God (The Creation) Mendelssohn: Daughters of Zion (Christus) Monteverdi: Gloria for seven voices Mozart: Lacrimosa (Requiem, K626) Mozart: Laudate Dominum (Solemn Vespers K339) Parry: I was glad when they said unto me Parry: Jerusalem Purcell: Te Deum in D Satie: Kyrie (Messe des pauvres) Schubert: Magnificat Vivaldi: In exitu Israel

John Rutter was born in London in 1945 and studied music at Clare College, Cambridge. His compositions embrace choral, orchestral, and instrumental music, and he has edited or co-edited various choral anthologies, including four Carols for Choirs volumes with Sir David Willcocks and the Oxford Choral Classics series. From 1975 to 1979 he was Director of Music at Clare College, and in 1981 he formed his own choir, the Cambridge Singers. He now divides his time between composition and conducting and is sought after as a guest conductor for the world's leading choirs and orchestras.

Reviews for Sacred Choruses

This is a remarkable collection . . . All are freshly edited from original sources and many have new English singing translations. With 380 pages and strong sewn binding the volume is excellent value for money . . . Rather than compromise in the keyboard accompaniments, those in the vocal score are for piano and for rehearsal, while, and this is wonderful for organists, an accompanying, large, wiro-bound organ volume provides three-stave organ accompaniments for all except four of the pieces. Overall, the selection and presentation is at least as much for church and cathedral use as for secular choirs. * Stephen Patterson , www.rscm.org.uk Sunday by Sunday, June 2019 * Many [items] can successfully be accompanied by a full-size organ with pedals, and a separate organ book with vocal cues (whose turned pages remain turned!) can be purchased - a very welcome feature of this collection . . . Like the editor, I hope that this volume helps to make pieces like Schubert's Magnificat and Vivaldi's exuberant In exitu better known. * Jeremy Jackman, Choir & Organ, March 2019 * Rutter has freshly edited all scores, including providing new keyboard accompaniments that are frequently more idiomatic and tailored to rehearsal purposes than older editions . . . Throughout the anthology, musical layout is commodious and easy to read. Rutter also provided an engaging introduction for the collection and commentary for each individual piece. Perhaps the most practical and attractive aspect of this edition is the parallel accompaniment volume which is specifically designed for organ performance. The over-sized score is spiral bound for durability and practicality on the organ music rack, and the organ parts are notated in three staves throughout . . . The accompaniments are indeed remarkably idiomatic and enjoyable to play . . . * Jason Overall, Journal of the Association of Anglican Musicians, April 2019 *


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