No sector can escape the challenge of the climate crisis. This book brings together a team of academic experts to urgently examine the intersection of sustainability and the Cultural and Creative Industries (CCIs), particularly within the framework of Sustainable Development Goal 12 (SDG 12): Responsible Consumption and Production.
Investigating responsible consumption and production across the CCIs, this book explores the role of public policy, funding bodies and other institutional actors in the sustainable transition. It also links CCIs with the development of sustainable tourism and sustainable tourism cities and provides evidence on the role of CCIs in producing positive change in people’s behaviours, consumption patterns, and perceptions of the climate emergency. Transformations towards circular economy models in the CCIs are also analysed. In illuminating how the CCIs’ are embracing the challenge of sustainable development, the chapters in this book highlight best practices and sustainable solutions across a range of geographic and cultural contexts.
This book will be a valuable resource for researchers, academics and advanced students with an interest in sustainable business practices, especially their application to the CCIs.
Foreword Alba Colombo Vilarrasa Introduction - Sustainable Consumption and Production in the Cultural and Creative Industries: Why a Focus on Sustainable Development Goal (SDG) 12? Elisa Salvador and Ilaria Pappalepore Section 1: The Role of Funding Bodies, Institutional Actors and Policy in Promoting Responsible Production 1. Funding Organisations as Sustainability Catalysts in the Cultural and Creative Industries: The Case of Arts Council England Monica Masucci, Roberto Camerani, Mariachiara Restuccia and Thomas R. Buckley 2. The Designers Call for Environmental and Social Sustainability: New Evidence from the Design Sector in Piedmont Stefania Camoletto and Giovanna Segre 3. When Gastronomy and Food Are at the Service of Education for a Sustainable Future: The School Garden Model in Denmark Jesper Strandgaard Pedersen, Sophie Marie Cappelen and Elisa Salvador Section 2: Role of CCIs in the Development of Sustainable Tourism 4. Assessing the Contribution of Cultural Tourism and Creative Sectors to a Circular Economy: A Case from Sweden Matthias Fuchs and Kai Kronenberg 5. Creative Industries, Creative Tourism and Sustainability Perspectives: The Case Study of Traditional Pottery-Making in Crete Eirini Papadaki, Paraskevi Papadopoulou, George Gournis, Harilaos Plakou and Alexandros Apostolakis 6. Creative Sustainable Solutions in Cultural Tourism Attractions in London Barbora Cherifi 7. Tourism Degrowth and Postgrowth Transitions for European Urban Destinations Ilaria Pappalepore, Clare Inkson and Claudia Dolezal Section 3: Circular Economies in Creative and Cultural Production and Consumption 8. The Role of Creative Reuse Centers in Responsible Artistic Production and Consumption in the US Jaleesa Renee Wells 9. Preserving the Past for a Sustainable Future: Circular Practices in the Consumption of Ordinary Antiques Federica Aramu and Anne-Sophie V. Radermecker 10. Community Couture: An Alternative Way of Making and Sharing Fashion Aniela Fidler Wieruszewska and Megha Chauhan 11. Social Entrepreneurs in Making Fashion Circular: Three Case Studies in New York City Younghyun Kim
Elisa Salvador is a Professor of Innovation & Creativity at ESSCA School of Management, France. Ilaria Pappalepore is a Reader (Associate Professor) in Tourism and Events at the University of Westminster, UK.
Reviews for Responsible Consumption and Production in the Creative and Cultural Industries: Actions, Policies, and Strategies for a Sustainable Future
“Responsible Consumption and Production in the Creative and Cultural Industries brings together much-needed research on the sustainability of cultural and creative industries. This timely collection provides insights on promoting responsible consumption and production, considering the responsibility of individuals, producers, policies and institutions. The book brings together experts in sustainability research to provide a range of best practices and theoretical insights. It includes detailed case studies and reflections spanning diverse sectors from across the world. It offers opportunities to critically reflect on the contribution of initiatives – such as sustainable tourism and the circular economy – that have become staple practices in addressing our contemporary society's challenges. It will quickly become an essential resource for scholars, policymakers, and practitioners looking to understand how cultural and creative industries can move towards a sustainable future”. Roberta Comunian, Department of Culture, Media and Creative Industries, King’s College London, UK. “Although sustainability has been discussed for decades from the most diverse perspectives, this topic has yet to find an original formulation for the cultural and creative industries, remaining a relatively underexplored field. The volume edited by Salvador and Pappalepore has the merit of addressing sustainability from the perspective of all potentially involved actors—cultural organizations, creative enterprises, stakeholders, and consumers—within an international framework. The book addresses the critical intersections of cultural policy, tourism, and circular economy through practical case studies and innovative strategies, offering an overview of the key economic areas and sectors where sustainability is becoming not just a constraint but a driver of growth. A valuable resource for scholars, practitioners, and policymakers aiming to align creative practices with sustainability goals”. Massimiliano Nuccio, Foscari University of Venice,VSM Venice School of Management, Italy. “This book brings together the most advanced work explaining how Creative and Cultural Industries (CCIs) can contribute to society's sustainable development goals. While CCIs are often seen as having a negative impact on sustainability, the various chapters in this book convincingly demonstrate that CCIs can play an important role in promoting sustainable solutions, particularly in the field of sustainable tourism. In my opinion, this book is a real tour de force as one of the first systematic attempts to highlight the conditions under which CCIs can be both vehicles of cultural identity and vehicles of sustainable development for society”. Patrick Cohendet, HEC Montréal, Québec, Canada