This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties about women's power, consumption and pleasure are deconstructed through images of drug use, female sexuality and 'excessive' living, in artworks by several contemporary textile artists including Orly Cogan, Tracey Emin, Allyson Mitchell, and Rozanne Hawksley.
Perceptions of decadence are invariably bound to the negative connotations of decay and degradation, particularly with regard to the transgression of social norms related to femininity and the female body. Excessive consumption by women has historically been represented as grotesque, and until now, women's pleasure in relation to drug and alcohol use has largely gone unexamined in feminist art history and craft studies. Here, representations of female consumption, from cupcakes to alcohol and cocaine, are opened up for critical discussion.
Drawing on feminist and queer theories, Julia Skelly considers portrayals of 'bad girls' in artworks that explore female sexuality - performative pieces designed to subvert and exceed feminine roles. In this provocative book, decadence is understood not as a destructive force but as a liberating aesthetic.
By:
Julia Skelly (McGill University Canada)
Imprint: Bloomsbury Academic
Country of Publication: United Kingdom
Dimensions:
Height: 244mm,
Width: 169mm,
Spine: 8mm
Weight: 333g
ISBN: 9781472569400
ISBN 10: 1472569407
Pages: 144
Publication Date: 04 May 2017
Audience:
Professional and scholarly
,
Undergraduate
Format: Paperback
Publisher's Status: Active
Introduction: Decadence, Feminism and “Excess” Chapter 1: Consuming Craft, Cupcakes and Cocaine: Orly Cogan, Shane Waltener and Shelley Miller Chapter 2: Pleasure Craft: Nava Lubelski, Mickalene Thomas and Shary Boyle Chapter 3: Bad Women?: Tracey Emin, Ghada Amer and Allyson Mitchell Chapter 4: “The Decaying Fabrics of Life and Death”: Rozanne Hawksley’s Textile Art Bibliography Index
Julia Skelly teaches in the Department of Art History and Communication Studies at McGill University in Montreal, Canada.
Reviews for Radical Decadence: Excess in Contemporary Feminist Textiles and Craft
Radical Decadence addresses decadence and excess, re-framing these as contemporary strategies of transgression and pleasure. In this well-illustrated book, Skelly draws on established and newly emerging artists working with cloth, porcelain and paint, demonstrating the inherent and delightful messiness of these media and their resistance to controlling systems. -- Catherine Dormor, Middlesex University.
