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English
Bloomsbury Academic
05 November 2015
Series: Object Lessons
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.

The phone booth exists as a fond but distant memory for some people, and as a strange and dysfunctional waste of space for many more. Ariana Kelly approaches the phone booth as an entity that embodies diverse attitudes about privacy, freedom, power, sanctuary, and communication in its various forms all around the world. Through portrayals of phone booths in literature, film, personal narrative, philosophy, and religion, Phone Booth offers a definitive account of an object on the cusp of obsolescence.

Object Lessons is published in partnership with an essay series in The Atlantic.
By:  
Imprint:   Bloomsbury Academic
Country of Publication:   United States
Dimensions:   Height: 164mm,  Width: 118mm,  Spine: 14mm
Weight:   180g
ISBN:   9781628924091
ISBN 10:   1628924098
Series:   Object Lessons
Pages:   160
Publication Date:  
Audience:   College/higher education ,  A / AS level ,  Further / Higher Education
Format:   Paperback
Publisher's Status:   Active
1. Disconnected 2. Hermit’s Hut 3. Our Speed 4. The Phantom Phone Booth 5. Say Anything 6. Fortress of Solitude 7. Significant Portals 8. A Fine and Private Place 9. Glass Case of Emotion 10. The God Booth 11. Only Connect Acknowledgements Notes Index

Ariana Kelly is a freelance writer and educator. She teaches English literature and comparative religion at the Harvard-Westlake School in Los Angeles, California, USA, and has written for, among other publications, The L.A. Review of Books and Salon.

Reviews for Phone Booth

In this delightful set of mini-essays, Ariana Kelly has created a paen, rather than an elegy, in celebration of the many dimensions of the vanishing phone booth. Her text gleans images and sensations from our collective memory of the once (if briefly) ubiquitous structure. Site of superhero transformations, crimes, communications, quick changes, and other coins of the social realm, the phone booth and the kiosk served as small theaters of intimate activity in full view of the public eye, a curious combination of enclosed and exposed space. She shifts scale from the minutiae of physical observation-hanging wires and scratched glass-to the larger cultural issues of communication and longing, mixing personal experience with historical, literary, and film references throughout. Johanna Drucker, Professor of Information Studies, University of California, Los Angeles, USA


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