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Theo Angelopoulos

Filmmaker and Philosopher

Vrasidas Karalis Costica Bradatan (Texas Tech University USA)

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English
Bloomsbury
01 May 2023
The cinema of Theo Angelopoulos is celebrated as challenging the status quo. From the political films of the 1970s through to the more existential works of his later career, Vrasidis Karalis argues for a coherent and nuanced philosophy underpinning Angelopoulos' work.

The political force of his films, including the classic The Travelling Players (1975), gave way to more essayistic works exploring identity, love, loss, memory and, ultimately, mortality. This development of sensibilities is charted along with the key cultural moments informing Angelopoulos’ shifting thinking. From Voyage to Cythera (1984) until his last film, The Dust of Time (2009), Angelopoulos’ problematic heroes in search of meaning and purpose engaged with the thinking of Plato, Mark, Heidegger, Arendt and Luckacs, both implicitly and explicitly.

Theo Angelopoulos also explores the rich visual language and ‘ocular poetics’ of Angelopopulos’ oeuvre and his mastery of communicating profundity through the everyday. Karalis argues for a reading of his work that embraces contradiction and celebrates the unsettling questions at the heart of his work.

By:  
Edited by:  
Imprint:   Bloomsbury
Country of Publication:   United Kingdom
Dimensions:   Height: 216mm,  Width: 138mm,  Spine: 25mm
Weight:   454g
ISBN:   9781350245365
ISBN 10:   1350245364
Series:   Philosophical Filmmakers
Pages:   208
Publication Date:  
Audience:   College/higher education ,  Primary
Format:   Paperback
Publisher's Status:   Active

Vrasidas Karalis is Sir Nicholas Laurantus Professor of Modern Greek and Chair of Modern Greek at the University of Sydney, Australia. He is author of Realism in Greek Cinema (I.B.Tauris, 2017), Cornelius Castoriadis and Radical Democracy (2014), A History of Greek Cinema (Bloomsbury, 2012), Power, Judgment and Political Evil: In Conversation with Hannah Arendt (2010).

Reviews for Theo Angelopoulos: Filmmaker and Philosopher

This book has impressively decoded the potential of philosophical complexities in Angelopoulos' films. Vrasidas Karalis has un-framed the director's cinematic language from traditional filmic reasoning and previously marked spatiotemporal ocular 'slowness', to reach the anti-rhetorical interpretation in terms of: visuality, aesthetics and logic towards Angelopoulos' art. * Grzegorz Pamrow, CEO, Speakers' Avenue, Educational Film Collective, Poland * Vrasidas Karalis's new book on the inexhaustible, profound and mysterious cinema of Theo Angelopoulos offers a bold and original argument. Can philosophical thinking occur purely through the work of images, without standard plots and characters? Karalis affirms and demonstrates this possibility in all its historical complexity. It's an extraordinary achievement. * Adrian Martin, Adjunct Professor of Film and Media Studies, Monash University, Australia * Vrasidas Karalis' return to Theo Angelopoulos' work illustrates not only the latter's extraordinary wealth but also the former's indefatigable desire to bring Greek cinema to international focus. Through the philosophical exploration of Angelopoulos' films, Karalis demonstrates their relevance to contemporary questions regarding the ontology of the cinematic image. Thoroughly recommended. * Eleftheria Thanouli, Professor in Film Theory, Aristotle University of Thessaloniki, Greece *


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