PERHAPS A GIFT VOUCHER FOR MUM?: MOTHER'S DAY
John Connolly is author of the Charlie Parker mysteries, The Book of Lost Things, the Samuel Johnson novels for young adults and, with his partner, Jennifer Ridyard, the co-author of the Chronicles of the Invaders. John Connolly's debut - EVERY DEAD THING - introduced the character of Private Investigator Charlie Parker, and swiftly launched him right into the front rank of thriller writers. All his subsequent novels have been Sunday Times bestsellers. In 2007 he was awarded the Irish Post Award for Literature. He was the first non-American writer to win the US Shamus award and the first Irish writer to win an Edgar award. BOOKS TO DIE FOR, which he edited with Declan Burke, was the winner of the 2013 Anthony, Agatha and Macavity awards for Best Non-Fiction work.
An addictive and meticulously rendered collection of eerie, amusing and achingly beautiful short stories. - Sunday Business Post Showcases his talent for crafting paranormal tales with healthy injections of humor - Publishers Weekly Connolly knows how to unsettle, chill and outright terrify his readers . . . he displays his aptitude for crafting creepy supernatural tales - Portland Press Herald Connolly never disappoints; his writing is always flawless, sympathetic and with beautifully drawn characters . . . Night Music is a worthy follow-up to Nocturnes, and there is much to enjoy here - and much to think about, too. A must for John Connolly's many fans. A collection of supernatural fiction to rattle your cage. - Mass Movement Connolly is a master of creating exquisite short stories, and Night Music is (if you'll excuse the music reference) all killer, no filler! The stories on offer range from charmingly whimsical to absolutely terrifying, with one or two being reminiscent of Clive Barker at his goriest best. - Starburst Praise for NOCTURNES: John Connolly's novels combine the supernatural with straightforward, if ingenious, crime, but his short stories come straight from the bowels of Hell . . . a real master of the macabre gets to show us how it's done. - The Times Spookier than mere pastiche, meatier than pure pulp, Nocturnes hits exactly the right note in reinventing the golden age of ghost stories. - Independent on Sunday Connolly writes about darkness and viciousness with an urban intelligence that makes these stories at once terrifying and delightful. - Time Out
