Jennifer Homans was a professional dancer, trained at Balanchine's School of American Ballet. She has a doctorate in European and American cultural history and is a Distinguished Scholar in Residence at NYU, where she is the Founding Director of the Center for Ballet and the Arts. She lives in NYC and is the dance critic for the New Yorker. Her debut, Apollo's Angels: A History of Ballet (Granta, 2011) was a finalist for the National Book Critics Circle Award.
With unique expertise in dance and what it means to dance, Jennifer Homans shows rare insider understanding of Balanchine's inexhaustible creativity... A magnificent and enthralling biography with an epic historical sweep, inflected by the poignancy and sensitivity of an intimate literary portrait * Marina Warner * One of the best stories of a Petersburger coming to America I've ever read. This isn't dutiful biography, this is literature as vibrant and alive as Balanchine's art * Gary Shteyngart, author Our Country Friends and Super Sad True Love Story * Jennifer Homans has not only resurrected George Balanchine down to the perfumed silk foulard, offering up a life of fairy-tale turns and tenacious demons, of prodigious imagination and impossible standards, of five wives and the slew of almost-wives. She has restored the Russia that disappeared out from behind Balanchine and the lush mirage that endured. More remarkably, she pins dance to the page with the precision, intensity, and range her subject prized. The result is lyrical and commanding, among the most electrifying pas de deux you're likely to find on the biography shelf. -- Stacy Schiff * winner of the Pulitzer Prize, New York Times bestselling author of The Witches and Cleopatra *