An examination of women as mothers in medieval French sculpture. What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood?
Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's maternal experiences during their production. Once produced, however, their beholders would have included women who were mothers and potential mothers, thus opening a space between the sculptures' intended meanings and other meanings liable to be produced by these women as they brought their own interests and concerns to these works of art.
Building on theories of reception and response, this book focuses on interactions between women asbeholders and a range of sculptures made in France in the twelfth through sixteenth centuries, aiming to provide insight into women's experiences of motherhood; particular sculptures considered include the Annunciation and Visitation from Reims cathedral, the femme-aux-serpents from Moissac, the transi of Jeanne de Bourbon-Vendome, the Eve from Autun, and a number of French Gothic Virgin and Child sculptures.
Marian Bleeke is Associate Professor of Art History and Chair of the Department of Art and Design at Cleveland State University.
By:
Marian Bleeke (Royalty Account) Imprint: The Boydell Press Country of Publication: United Kingdom Volume: v. 10 Dimensions:
Height: 240mm,
Width: 170mm,
Spine: 18mm
Weight: 1g ISBN:9781783272501 ISBN 10: 1783272503 Series:Boydell Studies in Medieval Art and Architecture Pages: 216 Publication Date:20 October 2017 Audience:
Professional and scholarly
,
Undergraduate
Format:Hardback Publisher's Status: Active
Introduction: Motherhood and Meaning in Medieval Sculpture Motherhood as Transformation: From Annunciation to Visitation at Reims Motherhood as Monstrosity: The Moissac Femme-aux-serpents and the Transi of Jeanne de Bourbon-Vendome Resurrecting Lazarus: The Eve from Saint-Lazare at Autun Visualizing Parturition: Devotional Sculptures of the Virgin and Child Afterword: Motherhood and Meaning: Medieval Sculpture and Contemporary Art Bibliography Index
Reviews for Motherhood and Meaning in Medieval Sculpture: Representations from France, c.1100-1500
The impressive assembly of modern scholarship on the broad subject of female reception and experience is evident. ECCLESIOLOGY TODAY