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Missing Person

Patrick Modiano

$22.99

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English
Penguin
19 November 2019
One of the great novels of Paris, from the winner of the 2014 Nobel Prize in Literature

'I am nothing. Nothing but a pale shape, silhouetted that evening against the cafe terrace, waiting for the rain to stop'

Guy Roland, a private detective in Paris, is trying to solve the mystery of his own past. His memories erased by amnesia, he has no idea where he is from, or even his real name. As he searches for clues through the city's shadowy streets and smoky bars, latching on to strangers, accumulating mementoes, photographs, scraps and stories, he starts to piece together the events that brought him here, all leading back to the murky days of wartime occupation.

Patrick Modiano's portrait of a man obsessively hunting for his lost identity is an intoxicating noir masterpiece; a meditation on who we are and how we forget.

By:  
Imprint:   Penguin
Country of Publication:   United Kingdom
Dimensions:   Height: 198mm,  Width: 129mm,  Spine: 11mm
Weight:   145g
ISBN:   9780241402184
ISBN 10:   0241402182
Series:   Penguin Modern Classics
Pages:   192
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Patrick Modiano was born on the outskirts of Paris in 1945. He has written novels, plays and children's books. He also co-wrote the script for Louis Malle's film Lacombe Lucien. His novels include Place d'Etoile, The Night Watch, The Search Warrant (Dora Bruder), Ring Roads, Honeymoonand the three novellas collected as Suspended Sentences- Afterimage, Suspended Sentences and Flowers of Ruin. Missing Person (published in French as Rue des boutiques obscures) won Modiano the Prix Goncourt in 1978. The novel has since been translated into 32 languages. In 2014 he received the Nobel Prize in Literature.

Reviews for Missing Person

Modiano is a pure original -- Adam Thirlwell Delicate and cunning . . . Modiano's method is to sidle up to subjects of mystery and horror, indicating them without broaching them, as if gingerly fingering the outside of a poison bottle. . . He opens dark doors into the past out of a sunlit present. -- John Sturrock * Times Literary Supplement *


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