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SIMON MASON has pursued parallel careers as a publisher and an author, whose YA crime novels Running Girl, Kid Got Shot and Hey, Sherlock! feature the sixteen-year-old slacker genius Garvie Smith. A former Managing Director of David Fickling Books, where he worked with many wonderful writers, including Philip Pullman, he has also taught at Oxford Brookes University and has been a Royal Literary Fund Fellow at Exeter College, Oxford. His critically acclaimed DI Ryan Wilkins Mysteries, which started with A Killing in November have received numerous accolades, including being shortlisted for the CWA Gold Dagger, selected as Times Audio Book of the Week and Sunday Times Crime Book of the Month. Missing Person: Alice is a Finder Mystery.
Simon Mason is one of the brightest new names on the crime scene in years. Utterly compelling, Missing Person: Alice and The Case of the Lonely Accountant are brilliantly constructed mysteries, it is the cool tone in which they're written that's particularly striking, with the narrator carefully navigating his own tragedies while sifting through the traces of cracked lives with a careful humanity. Mason has been mainlining Simenon for a while, and it shows. -- Mick Herron I have loved, as I have written here several times, Simon Mason's DI Wilkins series. And now I love, for different reasons, his Finder Mysteries. The tone of the novellas Missing Person: Alice and The Case of the Lonely Accountant (you'll want to read them both) is deadpan, somewhere between Georges Simenon and Kazuo Ishiguro (When We Were Orphans). Deadpan does not mean dry. Nor do the parallels between each case and the book that the narrator is reading - What Maisie Knew, Dr Jekyll and Mr Hyde - indicate literary self-indulgence. These are satisfying, carefully plotted stories, as well as haunting depictions of voids in people's lives' Nicholas Clee, Bookbrunch Short, sharp mysteries . . . [Talib] and his investigations are fascinating. * The Times * Extraordinary stories of ordinary lives riven by loss. I lived and breathed these two books for the time it took me to finish them. Absolutely exceptional. -- Sarah Hilary Plotting and characterisation are as deft as we have come to expect from the talented Mason, with an elegant use of language. * Financial Times * [Simon] instinctively knows how to use and manipulate tropes pleasingly... there is much to enjoy * Crime Time FM * With tantalising hints at the sleuthing protagonist's equally murky back story these novellas break the walls of the police procedural down and descend into dark corners. I couldn't put them down. * Crime Time * Excellently lean and tense crime novel with a touch of the nouveau roman about it. * Ian Rankin * Amply fulfils Ian Rankin's recent admonition against long works. Psychologically, a rich exploration that is full of merited excitement. * The Critic * I loved Simon Mason's Finder mysteries, I read them at great speed as I couldn't put them down, and was left hoping the next would come soon. They are such a good mixture of social observation, literary echoes, and offbeat urban landscapes. Such a clever device to have our Finder reading a classic novel as he investigates - structurally brilliant! -- Margaret Drabble
