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Memory Wall

Anthony Doerr

$22.99

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English
Fourth Estate
05 January 2012
ABBEY'S BOOKSELLER PICK ----- I love the short story form and this collection is proof that it can be a perfect vehicle for expressing the human condition. The title story is almost a novella in length and is set slightly in the future, weaving themes of race, privilege, connection and longing into one woman’s retrieval of her past as she drifts into dementia. In another, a man receives letters from his son at the demilitarised zone in Korea, who retreats from the awfulness of life there by birdwatching. An orphan finds herself relocated to Lithuania to live with her grandparents and in the small village realises the world is bigger than she understood. A Chinese woman who has continued her family’s tradition of seedkeeping watches her way of life disappear as the Three Gorges Dam is built; and an elderly Holocaust survivor is haunted and ultimately consoled by visions of girls she knew in her childhood. Finely crafted, beautifully realised, highly recommended! Lindy

By:  
Imprint:   Fourth Estate
Country of Publication:   United Kingdom
Dimensions:   Height: 198mm,  Width: 129mm,  Spine: 18mm
Weight:   200g
ISBN:   9780007367726
ISBN 10:   0007367724
Pages:   300
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active
Author Website:   http://www.myweb.cableone.net/adoerr/

Anthony Doerr is the author of three books, The Shell Collector, About Grace, and Four Seasons in Rome. Doerr's short fiction has won three O. Henry Prizes and has been anthologized in The Best American Short Stories, The Anchor Book of New American Short Stories, and The Scribner Anthology of Contemporary Fiction. He has won the Rome Prize, and shared the New York Public Library's Young Lions Fiction Award with Jonathan Safran Foer. In 2007 Granta placed Doerr on its list of the '21 Best Young American novelists'. Doerr lives in Boise, Idaho, with his wife and two sons.

Reviews for Memory Wall

'It's fair to say that Anthony Doerr is doing things with the short story that have rarely been attempted and seldom achieved. The stories in Memory Wall have such scope and depth that they hit as hard as novels three times their length. Doerr has set a new standard, I think, for what a story can do.' Dave Eggers 'Ambitiously wide-ranging and inventive, Doerr's six stories movingly investigate the ways in which we are nothing without memory.' Sunday Times 'Doerr is a lusciously good stylist.' Guardian 'If this book's wisdom can be summed up in a single line it is this one, from 'Afterworld': 'Within the wet enclosure of a single mind a person can fly from one decade to the next, one country to another, past to present, memory to imagination.' That thought informs Memory Wall many times.' Janet Maslin, Scotsman Praise for About Grace: 'I loved this wonderful book -- its strangeness, its obsessiveness, its beautiful sentences.' Monica Ali 'Doerr's sublime renditions of Winkler's attunement to the world around him turn his story into a prolonged epiphany, a blissful parable about grace. This is a formidable literary achievement that, link Winkler's snow crystals, integrates facets and dimensions into near-perfect whole.' Independent 'Doerr's gifts as a stylist are powerfully in evidence: his writing is crystalline, his attention to detail intense and evocative. That Doerr is a writer of exceptional gifts is not in question, and there is much to admire in this novel.' Daily Telegraph 'Doerr writes wonderfully, lyrically, of the natural world, and his observations of water, snowflakes and clouds illuminate this impressive debut.' Guardian 'Exceptional first novel. I hesitate to say this book will take your breath away because it's such a cliche; but, really, I promise you, it will! I can't remember when a novel so entranced me. The only criticism I can really muster -- and it is rather a limp one -- is that About Grace is almost inhumanely faultless; almost, but, even then, not quite.' Evening Standard 'In careful, measured prose conjures a sense of awe both humbling and salutary. It has the bleak, lucid beauty of a day of midwinter light. At its best when describing the minute, disregarded miracles of the natural world, it lingers in the mind like one of the protagonist's eerie dreams.' Daily Mail


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