A uniquely comprehensive survey of Japanese narrative art across eight centuries.
The use of pictures to communicate a story has a long tradition in Japanese culture that dates back more than a thousand years. Such narrative illustrations draw on Buddhist texts, classic literature, poetry, and theatrical scenes to create rich visual imagery realised in a wide range of media and formats. Quotations from and allusions to heroic epics and romances were disseminated through exquisite paintings, woodblock prints, and in pieces of applied arts such as lacquerware or ceramics, thus becoming anchored in the collective consciousness. As story-telling art found expression in a variety of materialities, it became an integral part of daily life. A fascinating narrative space evolved that combined artistic excellence and aesthetic pleasure.
Love, Fight, Feast features some one hundred paintings, woodblock prints, illustrated woodblock-printed books, as well as lacquer and metal objects, porcelain, and textiles from the thirteenth to the twentieth century, alongside scholarly essays on a range of aspects of Japanese narrative art. Published in conjunction with an exhibition at the renowned Museum Rietberg in Zurich, the book offers a unique survey of the multifaceted, colourful, and imaginative world of Japanese narrative art across eight centuries.
AUTHOR: Khanh Trinh is a scholar of East Asian Art history and curator of Japanese art at Zurich's Museum Rietberg.
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A uniquely comprehensive survey of Japanese narrative art (Monogatari-e, or story pictures) across eight centuries .
Demonstrates the entire range of artistic media and techniques used for this type of Japanese art .
Features some 100 rarely or never before published art works, including paintings, woodblock prints, illustrated woodblock-printed books, lacquer and metal objects, porcelain, and textiles
170 colour illustrations
By:
Khanh Trinh
Imprint: Scheidegger und Spiess AG, Verlag
Country of Publication: Switzerland
Dimensions:
Height: 280mm,
Width: 240mm,
Weight: 1.946kg
ISBN: 9783039420247
ISBN 10: 3039420240
Pages: 328
Publication Date: 01 December 2021
Audience:
General/trade
,
ELT Advanced
Format: Hardback
Publisher's Status: Unspecified
DIRECTOR’S FOREWORD Annette Bhagwati SPONSOR’S STATEMENT Ishibashi Hiroshi, Ishibashi Foundation ACKNOWLEDGMENTS Khanh Trinh, Estelle Bauer, Melanie Trede LENDERS TO THE EXHIBITION NOTES TO THE READER THE MULTIFACETED WORLD OF JAPANESE NARRATIVE ART: AN INTRODUCTION Khanh Trinh UNFOLDING TALES: AESTHETIC STRATEGIES IN JAPANESE HANDSCROLLS Estelle Bauer NARRATING THROUGH TEXT AND IMAGE: CHARACTER AND SEQUENCE IN JAPANESE HANDSCROLLS Sebastian Balmes CREATIVITY, HISTORIOGRAPHY, AND MASS PRODUCTION: THE WEALTH OF PICTORIAL NARRATIVES IN SEVENTEENTH-CENTURY JAPAN Melanie Trede MANGA FLOWS: READING THE PANELED SPREAD AGAINST HANDSCROLL AND WEBTOON Jaqueline Berndt THE TALE OF JAPANESE NARRATIVE ART THE POWER OF FAITH POETS ON THE MOVE: THE ISE STORIES LOVE AND INTRIGUE: THE TALE OF GENJI HEROES VYING FOR POWER AND GLORY: THE TALE OF THE HEIKE VANQUISHING DEMONS: SHUTEN DŌJI AND RAJŌMON IMAGINING CHINA THE REALM OF PARODY AND ENTERTAINMENT COLLECTING JAPANESE ART IN EUROPE CHECKLIST BIBLIOGRAPHY INDEX CHRONOLOGY
Khanh Trinh is a scholar of East Asian Art history and curator of Japanese art at Zurich’s Museum Rietberg.
