PERHAPS A GIFT VOUCHER FOR MUM?: MOTHER'S DAY
Daniel Boyd (b 1982) is one of Australia's most acclaimed young artists. Boyd's practice is internationally recognised for its manifold engagement with the colonial history of the Australia-Great Ocean (Pacific) region. Boyd has both Aboriginal and Ni-Vanuatu heritage, and his work traces this cultural and visual ancestry in relation to the broader history of Western art. Boyd has exhibited in numerous solo and group exhibitions in Australia and internationally and his works are held in numerous public collections, including the Natural History Museum, London, the Museum of New Zealand Te Papa Tongarewa and Tamaki Makaurau (Auckland). Isobel Parker Philip is the senior curator of contemporary Australian art and previously curator of photography at the Art Gallery of New South Wales. She has curated or co-curated many exhibitions including The National: New Australian Art (2019), Imprint: Photography and the Impressionable Image (2016); New Matter: Recent Forms of Photography (2016-17); Hold still: The Photographic Performance (2018) and Shadow Catchers (2020-21. She writes and publishes extensively. Erin Vink is a Ngiyampaa curator and writer, currently working as curator of Aboriginal and Torres Strait Islander art at the Art Gallery of New South Wales. Her recent projects include Exposure: Native Art and Political Ecology, |AlIA Museum of Contemporary Native Arts, Sante Fe (2021), The National: New Australian Art (2021) and Longing for Home (2021), both at AGNSW. She has written and published extensively on Aboriginal art, with her contributions including 'First Nations museum memorials: Daniel Boyd and Yhonnie Scarce', Artlink (2021) and 'Daniel Boyd: Shadowing the Enlightenment', Art Monthly Australasia (2021). Daniel Browning is an Aboriginal journalist, radio broadcaster, sound artist and writer. Currently, he produces and presents The Art Show on ABC Radio National. He is editor of Indigenous Radio at the ABC, managing the flagship programs Awaye! and Speaking Out and is executive producer of the podcast Thin Black Line. A visual arts graduate, Daniel is also a widely published freelance writer on the arts and culture. Daniel is a descendant of the Bundjalung and Kullilli peoples of far northern NSW and south-western Queensland. Dr Leuli Eshraghi (SAmoan/Persian/Cantonese) intervenes in display territories to centre global Indigenous and diasporic Asian visuality, sensual and spoken languages, and ceremonialpolitical practices. They curated the 9th TarraWarra Biennial of Australian Art (2023) and is curatorial researcher-in-residence at the University of Queensland Art Museum (2021-). Jazz Money is a Wiradjuri poet and artist currently based on Gadigal land. Her practice is centred around the written word while producing works that encompass installation, digital, film and print. Jazz's writing has been widely performed and published nationally and internationally. Their David Unaipon Award-winning debut collection 'how to make a basket' was released in 2021 with University of Queensland Press. Dr Michael Mossman is a Kuku Yalanji man, born and raised in Cairns on Yidinji Country. He now lives and works on Gadigal land and is a lecturer and researcher at the University of Sydney School of Architecture Design and Planning where he has been awarded his doctor of philosophy for his thesis: 'Third space, architecture and indigeneity'. He is a registered architect who champions Country and First Nations cultures as agents for structural change in the broader architectural profession at educational, practice and policy levels. Djon Mundine OAM is a proud Bandjalung man from the Northern Rivers of NSW. Mundine is a curator, writer, cultural mentor, artist and activist and is celebrated as a foundational figure in the criticism and exhibition of contemporary Aboriginal art. Mundine has held many senior curatorial positions in both national and international institutions. In 1993 he received the Medal of the Order of Australia for service to the promotion and development of Aboriginal arts, crafts and culture and in 2020 was awarded the Australia Council of the Arts Red Ochre Award for Lifetime Achievement. Asad Raza is an artist born in Buffalo, USA of Pakistani heritage. He creates dialogues and rejects disciplinary boundaries in his work, which conceives of art as a metabolic, active experience. Emplying actions and processes - such as soil-making, tennis, and horticulture - his projects have been realised by institutions including the Whitney Museum of American Art, New York; Kaldor Public Art Projects, Sydney; Gropius Bau, Berlin; Serpentine Galleries, London; Metro Pictures, New York; Urbane Kunst Ruhr, Essen; and the Lahore Biennale. Nathan 'mudyi' Sentance is a Wiradjuri librarian and creative history practitioner who grew up on Darkinjung Country, and writes about critical librarianship and critical museology. His writing has been previously published in The Guardian, Cordite Poetry, the Lifted Brown and Sydney Review of Books, and on his own blog, The Archival Decolonist. Ellen van Neerven is an award-winning writer of Mununjali (Yugambeh Nation) and Dutch heritage. Ellen's first book, Heat and Light, was the recipient of the David Unaipon Award, the Dobbie Literary Award and the NSW Premier's Literary Awards Indigenous Writers Prize. They have written two poetry collections: Comfort Food (shortlisted for the NSW Premier's Literary Awards Kenneth Slessor Prize) and Throat (winner of the Kenneth Slessor Prize for Poetry, the Multicultural NSW Award and Book of the Year in the NSW Premier's Literary Awards).
Le Musee Van Gogh a Amsterdam
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