Murray Pomerance is an independent scholar living in Toronto, Canada, and Adjunct Professor in the School of Media and Communication at RMIT University, Melbourne, Australia. He is the author of Edge of the Screen (Bloomsbury, 2024); Uncanny Cinema: Agonies of the Viewing Experience (Bloomsbury, 2022); Color It True: Impressions of Cinema (Bloomsbury, 2022); The Film Cheat: Film Artifice and Viewing Pleasure (Bloomsbury, 2020); and many others.
The book succeeds in bridging the gap between analytical rigor and poetic sensitivity. The author examines the complex entanglement of film elements (precisely named and described) and viewer perception, exploring how observation, interpretation, knowledge, affection and intuition intertwine in this process on multi-layered levels. A transdisciplinary dialogue elegantly develops between philosophy, film and media theory, literature, music, and painting—relational media aesthetics at its best. * Christine Reeh Peters, Junior professor for Theory and practice of artistic research in digital media, Film University Babelsberg Konrad Wolf, Germany * Every word in every chapter conveys a deep love and a thoughtful engagement with cinema. Murray Pomerance dives into film’s mysteries, not in order to resolve them, but in order to teach us to swim in them – and more particularly to enjoy the transformative touch of its waters, to excite in its eddies, to grow with its flows. A master cinephile in action. * William Brown, Assistant Professor of Film, University of British Columbia, Canada * If the most serious philosophy undertakes to invent new concepts, rather than study old ones, then Light Thoughts is film-philosophy at its most dazzlingly innovative. Drawing on rich examples from classical and contemporary Hollywood to European cinema and beyond, Murray Pomerance invites not just thinking on film, but thinking made possible by film. Read it, then read it again. * Daniel Varndell, Senior Lecturer in English Literature, University of Winchester, UK * Light Thoughts is a playful, illuminating, rewarding, and wide-ranging examination of what is distinctive and difficult about how film makes us see and think, and what is distinctive and difficult about how we think and write about film. Through careful analysis of individual films and phenomena such as editing, performance, memory, technology, and the human face, Murray Pomerance invites us to reconsider our experiences of “the screen and its strange rewards.” * Neil Badmington, Professor of English Literature, Cardiff University, UK *