Letters of Light

Arabic Script in Calligraphy, Print, and Digital Design

J.R. Osborn

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Hardback

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English

Harvard University Press
22 May 2017

Graphic design; Writing systems, alphabets; Middle Eastern history; Media studies; Lettering & calligraphy

"Arabic script remains one of the most widely employed writing systems in the world, for Arabic and non-Arabic languages alike. Focusing on naskh-the style most commonly used across the Middle East-Letters of Light traces the evolution of Arabic script from its earliest inscriptions to digital fonts, from calligraphy to print and beyond. J. R. Osborn narrates this storied past for historians of the Islamic and Arab worlds, for students of communication and technology, and for contemporary practitioners.

The partnership of reed pen and paper during the tenth century inaugurated a golden age of Arabic writing. The shape and proportions of classical calligraphy known as al-khatt al-mansub were formalized, and variations emerged to suit different types of content. The rise of movable type quickly led to European experiments in printing Arabic texts. Ottoman Turkish printers, more sensitive than their European counterparts to the script's nuances, adopted movable type more cautiously. Debates about ""reforming"" Arabic script for print technology persisted into the twentieth century.

Arabic script continues to evolve in the digital age. Programmers have adapted it to the international Unicode standard, greatly facilitating Arabic presence online and in word processing. Technology companies are investing considerable resources to facilitate support of Arabic in their products. Professional designers around the world are bringing about a renaissance in the Arabic script community as they reinterpret classical aesthetics and push new boundaries in digital form."

By: J.R. Osborn
Imprint: Harvard University Press
Country of Publication: United States
Dimensions: Height: 235mm, Width: 156mm, Spine: 24mm
Weight: 600g
ISBN: 9780674971127
ISBN 10: 0674971124
Pages: 280
Publication Date: 22 May 2017
Audience: Professional and scholarly , College/higher education , General/trade , Undergraduate , Primary
Format: Hardback
Publisher's Status: Active

J. R. Osborn is Assistant Professor of Communication, Culture & Technology and Co-Director of the Technology Design Studio at Georgetown University.

Reviews for Letters of Light: Arabic Script in Calligraphy, Print, and Digital Design

Letters of Light is an enjoyable and clearly written historical account of the development of the Arabic script, and the Naskh calligraphic style in particular, that elegantly links scribal traditions and conventions to today's type design discourse. Osborn creates a much-welcome, impartial framework and foundation for further research into Arabic type design and contemporary design tools. This is highly recommended reading for design students, practitioners, and all interested in Arabic typography and Arab visual culture.--Huda Smitshuijzen AbiFares, The Khatt Foundation, Center for Arabic Typography, Amsterdam J. R. Osborn's Letters of Light is a fascinating investigation of the development of Arabic scripts over the past millennium and their problematic encounter with Western typography, which sliced expressive lines of cursive writing into individual sorts of cold type. Osborn ingeniously explores how the advent of new computer technologies in the twentieth century has opened a promising future for the design of Arabic scripts that conform to and expand upon calligraphy's formal and aesthetic traditions.--Jonathan M. Bloom, author of Paper Before Print: The History and Impact of Paper in the Islamic World J. R. Osborn s Letters of Light is a fascinating investigation of the development of Arabic scripts over the past millennium and their problematic encounter with Western typography, which sliced expressive lines of cursive writing into individual sorts of cold type. Osborn ingeniously explores how the advent of new computer technologies in the 20th century has opened a promising future for the design of Arabic scripts that conform to and expand upon calligraphy s formal and aesthetic traditions.--Jonathan Bloom, author of Paper Before Print: The History and Impact of Paper in the Islamic Lands