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English
Barrington Stoke Ltd
26 August 2025
Nature’s fury tests a brother’s courage and a dog’s loyalty in this Carnegie Medal winning ending to the story of the beloved brothers of the Truth of Things series.

WINNER OF THE 2020 CILIP CARNEGIE MEDAL

Things are tense at home for Nicky and Kenny. Their mum's coming to visit and it will be the first time they've seen her in years. A lot has changed since they were little and Nicky's not so sure he's ready to see her again.

When they head for a trek across the moors to take their minds off everything, a series of unforeseen circumstances leaves the brothers in a vulnerable and very dangerous position. There might even be a chance that this time not everyone will make it home alive…

Particularly suitable for readers aged 11+ with a reading age of 9.
By:  
Cover design or artwork by:  
Imprint:   Barrington Stoke Ltd
Country of Publication:   United Kingdom
Edition:   New Second edition
Volume:   Book 4
Dimensions:   Height: 198mm,  Width: 129mm,  Spine: 8mm
Weight:   200g
ISBN:   9780008739065
ISBN 10:   0008739064
Series:   The Truth of Things
Pages:   120
Publication Date:  
Recommended Age:   9 years
Audience:   Children/juvenile ,  Young adult ,  English as a second language ,  Preschool (0-5)
Format:   Paperback
Publisher's Status:   Active

Anthony McGowan is the author of many critically acclaimed YA novels including Hellbent, Henry Tumour and The Knife that Killed Me. His Barrington Stoke titles include the Carnegie Medal shortlisted Rook and the 2020 Carnegie Medal winner Lark which the judges described as ""a standalone masterpiece"".

Reviews for Lark

""A standalone masterpiece"" – Chair of Judges, CILIP Carnegie Medal ""Heart-rending but perfectly pitched … life-affirming"" – The Guardian """"Funny, scatological, terrifying, heartwarming and heartbreaking"" – Sunday Times “As taut as Steinbeck’s Of Mice and Men, Lark rings with truth, humour, humanity and pathos” – New Statesman “Heartrending but perfectly pitched” – The Observer “As ever, McGowan’s understanding of masculine youth – its brashness and unexpected tenderness – is evident, and there is a quiet worldliness underpinning the whole” – Literary Review


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