Hayden White

Herman Paul (Leiden University)

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Paperback

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English

Polity Press
24 June 2011

History: theory & methods

Series: Key Contemporary Thinkers

This new book offers a clear and accessible exposition of Hayden White's thought. In an engaging and wide-ranging analysis, Herman Paul discusses White's core ideas and traces the development of these ideas from the mid-1950s to the present. Starting with White's medievalist research and youthful fascination for French existentialism, Paul shows how White became increasingly convinced that historical writing is a moral activity. He goes on to argue that the critical concepts that have secured White's fame – trope, plot, discourse, figural realism – all stem from his desire to explicate the moral claims and perceptions underlying historical writing. White emerges as a passionate thinker, a restless rebel against scientism, and a defender of existentialist humanist values.

This innovative introduction will appeal to students and scholars across the humanities, and help develop a critical understanding of an increasingly important thinker.

By: Herman Paul (Leiden University)
Imprint: Polity Press
Country of Publication: United Kingdom
Dimensions: Height: 230mm, Width: 154mm, Spine: 17mm
Weight: 340g
ISBN: 9780745650142
ISBN 10: 0745650147
Series: Key Contemporary Thinkers
Pages: 224
Publication Date: 24 June 2011
Audience: Professional and scholarly , Undergraduate
Format: Paperback
Publisher's Status: Active

Herman Paul is lecturer in historical theory at Leiden University.

Reviews for Hayden White

This book both attests to the importance of Hayden White as a metahistorian and provides a lucid account of his life and thought. It is a well-deserved tribute to the work and the man - a reliable introduction and an invitation to join in the critical dialogue his thought encourages. Dominick LaCapra, Cornell University<p> In this deeply researched and probing analysis of Hayden White, Herman Paul offers a strikingly novel interpretation of the goals and significance of his theories of historical writing. In contrast to virtually all previous commentators, Paul argues that the core of White's work is not principally concerned with rhetoric and narratology as such but seeks, instead, to offer a form of 'liberation historiography' that can free historians of the 'burden of history, ' a concern stemming from White's lifelong embrace of existentialist humanism. Narratology, in Paul's view, achieved prominence in White's thinking because it offered a way to contest positivist history and t