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Happiness and Love

Zoe Dubno

$34.99

Hardback

Forthcoming
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English
Doubleday
15 July 2025
An unnamed narrator who has fled a set of friends she despised, who bring out the very worst in her and each other, finds herself once more sat at their dinner table for a single, hideous evening.

The funny, propulsive new novel about hating your friends, hating what they bring out in you, hating how you pander to them, the perfect satirical summer read for fans of Emma Cline, Curtis Sittenfeld, and Ottessa Moshfegh.

'Exceptionally funny and entertaining' Katy Hessel, bestselling author of The Story of Art Without Men

'A gorgeous book on being a hater, and I inhaled this in one sitting' Stylist

Years after escaping her unbearable artworld friends in New York for a new life in London, an unnamed writer finds herself once more at their dinner table for a single, hideous evening.

It's the day after the funeral of their mutual friend, a failed actress and - Eugene and Nicole, an artist-curator couple - are hosting a dinner party. If the narrator once loved and admired the couple and their important friends, she now despises them all.

Most of all, however, she despises herself for being lured back to this cavernous apartment, to this hollow, bourgeois social set, for a dinner party that isn't even being thrown in their deceased friend's honour, but in the honour of an up-and-coming actress who is by now several hours late.

As the guests sip at their drinks and await the actress's arrival, the narrator, from her vantage point in the corner seat of a white sofa entertains herself - and us - with a silent, tender, merciless takedown.

A satire about friendship, capitalism, culture, and art, Happiness and Love is the razor-sharp new novel from an exciting literary voice.

'Bracing and funny and fiercely clever' Orlando Whitfield, Nero-award listed author of All that Glitters

'An ecstatic performance of heightened perception' Chris Kraus, bestselling author of I Love Dick

'Zeitgeist and timeless, cynical but not soulless. Fabulous!' Melissa Broder, author of Milk Fed and The Pisces
By:  
Imprint:   Doubleday
Country of Publication:   United Kingdom
Dimensions:   Height: 223mm,  Width: 143mm,  Spine: 27mm
Weight:   386g
ISBN:   9781529930160
ISBN 10:   1529930162
Pages:   288
Publication Date:  
Audience:   General/trade ,  College/higher education ,  Professional and scholarly ,  ELT Advanced ,  Primary
Format:   Hardback
Publisher's Status:   Forthcoming

Zoe Dubno is a writer from Manhattan who lives in New York and London. She has an MFA from Rutgers University, Newark. Her fiction has appeared in Granta.

Reviews for Happiness and Love

Zeitgeist and timeless, cynical but not soulless, Dubno’s propulsive debut is for lovers of Thomas Bernhard, art over theory, and anyone who has ever wondered “What the hell am I doing here?” Fabulous! * Melissa Broder, author of Milk Fed * Zoe Dubno examines character and human relations in the same way an art critic looks at a painting. Digging deeper and deeper into the thoughts behind thoughts, feelings behind feelings and questioning everything, Happiness and Love is an ecstatic performance of heightened perception. * Chris Kraus, author of I Love Dick * In Happiness and Love, Zoe Dubno viciously and delightfully skewers the vapid people – the neo-bohemians of the social media age – who masquerade their privilege as creativity. It is bracing and funny and fiercely clever, a first novel of extraordinary confidence and profoundly entertaining wickedness. * Orlando Whitfield, Nero-award listed author of All that Glitters * I loved this astute and hilarious skewering of New York’s psuedy cultural elite. Intelligent, relentless, nasty and fun, Happiness and Love is energising, vital and a total joy to read. * Francesca Reece, author of Voyeur * A single-paragraph diatribe in the tradition of Bernhard, Dubno's Happiness and Love turns disillusionment into an artistic rite of passage. Her voice is neurotic and laugh-out-loud mean, the narrator flinching at the sight of turmeric lattes and open relationships, weaponizing autofiction’s confessional mode not toward self-glorification, but toward a demolition of the ecosystems that once made the narrator feel special. * Madeline Cash, author of Lost Lambs *


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