Our search has the following Google-type functionality:
If you use '+' at the start of a word, that word will be present in the search results.
eg. Harry +Potter
Search results will contain 'Potter'.
If you use '-' at the start of a word, that word will be absent in the search results.
eg. Harry -Potter
Search results will not contain 'Potter'.
If you use 'AND' between 2 words, then both those words will be present in the search results.
eg. Harry AND Potter
Search results will contain both 'Harry' and 'Potter'.
NOTE: AND will only work with single words not phrases.
If you use 'OR' between 2 single words, then either or both of those words will be present in the search results.
eg. 'Harry OR Potter'
Search results will contain just 'Harry', or just 'Potter', or both 'Harry' and 'Potter'.
NOTE: OR will only work with single words not phrases.
If you use 'NOT' before a word, that word will be absent in the search results. (This is the same as using the minus symbol).
eg. 'Harry NOT Potter'
Search results will not contain 'Potter'.
NOTE: NOT will only work with single words not phrases.
If you use double quotation marks around words, those words will be present in that order.
eg. "Harry Potter"
Search results will contain 'Harry Potter', but not 'Potter Harry'.
NOTE: "" cannot be combined with AND, OR & NOT searches.
If you use '*' in a word, it performs a wildcard search, as it signifies any number of characters. (Searches cannot start with a wildcard).
Search results will contain words starting with 'Pot' and ending in 'er', such as 'Potter'.
Zoe Gilbert is the winner of the Costa Short Story Award 2014. Her work has appeared in anthologies from Comma, Cinnamon, Labello, and Pankhearst presses, and has been published in journals including The Stinging Fly, Mechanics' Institute Review, Bohemyth, Holdfast, Lighthouse, and the British Fantasy Society Journal. In 2015 she appeared at the Beijing Bookworm Festival in China on behalf of the British Council and was commissioned by Microsoft to create a short story book. She is working on a PhD in Fiction and Creative Writing at the University of Chichester, focusing on the influence of folk tales on contemporary short stories. She chairs the Short Story Critique Group at Waterstones Piccadilly and co-hosts the Short Story Club at the Word Factory. She is also the co-founder of London Lit Lab, providing creative writing courses for Londoners. She lives in Sydenham, London. @mindandlanguage
An extraordinary debut novel ... It feels both ancient - drawing on deep seams of myth and folklore - and strikingly contemporary, pushing at the edges of what we mean when we call a book a novel. In Folk, Zoe Gilbert has made a thing of strange and enduring beauty -- Alex Preston * Financial Times * Folk is a special book: immersive and dripping with life, each story a spell, an allegory, a dark, smoky poem divined from the landscape of our ancient kingdom ... It reads like a dream that, once visited, is difficult to leave behind -- Ben Myers * Guardian * Genuinely original, disturbing, beautiful and gripping ... Folk can be read as a map of the British mythic imagination: of the river under the river. Starkly original and expertly written, it draws you, like a faerie song, into a kingdom from which you may never escape, and may not want to * New Statesman * Dazzling and unsettling, much like the best and darkest of fairy tales * Times Literary Supplement * A dark, often discomforting debut ... Gilbert's sensuous prose conjures fantastical figures including a man born with a wing for an arm, and a girl who's abducted by a water bull ... Bewitching -- The Best New Fiction * Mail on Sunday * Folk is absolutely stunning. I loved it. With gorgeous, incantatory prose, it submerges you in a mysterious and utterly compelling world. Its illumination lingers long after you close the book * Madeline Miller, Orange Prize-winning author of The Song of Achilles * I was thoroughly absorbed. Zoe Gilbert's invented folk-world is sensuous and dangerous and thick with magic * Tessa Hadley, author of The Past * That rare thing: genuinely unique. It's part-myth, part-allegory, wholly wonderful -- The Best Fiction of 2018 * Observer * A captivating mythical, magical and haunting debut which draws on fascinating folklore -- Ten Debut Novels to Watch Out For * i * Wild, domestic, powered by elements both natural and weird, Folk hauls us into a past where there's room for magic and for mystery. Give in and go there * Margo Lanagan, author of Tender Morsels * An utterly tantalising new voice. With Folk, Gilbert casts a powerful spell, creating a world on the page that feels as old as the hills and yet exquisitely alive ... To read Folk is to find oneself rapt * Alison MacLeod, author of All the Beloved Ghosts * There are themes of desire and longing, loss and mourning, and the rites of passage that must be undertaken to reach adulthood ... Folk has a powerful sense of mythology, reminiscent of Angela Carter -- Hannah Beckerman * Observer * As delightful and as dark as the collected Brothers Grimm. The village of Neverness is misted with secrets and sticky with magic. But as mystical as their circumstances might be the villagers are neither Cinderellas nor wicked-witches ... These tender portraits are, perhaps, Zoe Gilbert's greatest act of conjuring * Rowan Hisayo Buchanan, author of Harmless Like You * Brilliant. It's visceral and savage, but the savagery always comes with a light touch ... The stories all have a beautiful fairytale quality that makes them look like they were spun out of one of Neverness's half-magic mists. It's a gorgeous, uneasy siren of a book * Natasha Pulley, bestselling author of The Watchmaker of Filigree Street * The tales in Folk by Zoe Gilbert could have been ripped straight from the darkest pages of the Brothers Grimm. These intertwined fairy-tale-inspired stories are heavy with symbolism, lyrical and hypnotic * Good Housekeeping * A haunting portrait of a community steeped in folklore. Gilbert is a fine storyteller, and this is skilful, potent writing * K J Orr, author of Light Box *