Early Modern Print Media and the Art of Observation

Training the Literate Eye

Stephanie A. Leitch (Florida State University)

$193.95

Hardback

Not in-store but you can order this
How long will it take?

Availability Information

We source books from suppliers in Australia and overseas. For books we don't currently have in stock, the time it takes to get them from our suppliers can vary widely - from a few days to a few months - so we check each book with each supplier to determine the expected time it will take to be supplied to us.

We then advise you accordingly. If the time taken to get any book is too long for you, you can let us know and we will cancel or adjust your order, and refund as required.

To find out the anticipated arrival time for specific items prior to ordering, please contact us by phone or email:

Phone +61 2 9264 3111, or 1800 4 BOOKS (1800 4 26657) if outside Sydney:
option 1 Abbey's Bookshop (Crime, History, Science, Kids & more) • info@abbeys.com.au
option 2 Language Book Centre (ESL & Foreign Languages) • language@abbeys.com.au
option 3 Galaxy Bookshop (Sci-fi, Fantasy, Romance, Graphic Novels) • sf@galaxybooks.com.au

QTY:

English

Cambridge University Press
04 April 2024

Renaissance art; Prints & printmaking; Art Treatments & Subjects

Early modern printmakers trained observers to scan the heavens above as well as faces in their midst. Peter Apian printed the Cosmographicus Liber (1524) to teach lay astronomers their place in the cosmos, while also printing practical manuals that translated principles of spherical astronomy into useful data for weather watchers, farmers, and astrologers. Physiognomy, a genre related to cosmography, taught observers how to scrutinize profiles in order to sum up peoples' characters. Neither Albrecht Dürer nor Leonardo escaped the tenacious grasp of such widely circulating manuals called practica. Few have heard of these genres today, but the kinship of their pictorial programs suggests that printers shaped these texts for readers who privileged knowledge retrieval. Cultivated by images to become visual learners, these readers were then taught to hone their skills as observers. This book unpacks these and other visual strategies that aimed to develop both the literate eye of the reader and the sovereignty of images in the early modern world.

By: Stephanie A. Leitch (Florida State University)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Dimensions: Height: 261mm, Width: 182mm, Spine: 23mm
Weight: 930g
ISBN: 9781009444521
ISBN 10: 1009444522
Pages: 360
Publication Date: 04 April 2024
Audience: General/trade , ELT Advanced
Format: Hardback
Publisher's Status: Active

A specialist of early modern printmaking, Stephanie Leitch received a collaborative research fellowship from the ACLS for a new project about the role of copied images in early modern travel narratives. Her book Mapping Ethnography in Early Modern Germany (2010) won the Roland Bainton Book Prize in Art History.