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Disaster Songs as Intangible Memorials in Atlantic Canada

Heather Sparling

$83.99

Paperback

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English
Routledge
26 August 2024
Disaster Songs as Intangible Memorials in Atlantic Canada draws on a collection of over 600 songs relating to Atlantic Canadian disasters from 1891 up until the present and describes the characteristics that define them as intangible memorials. The book demonstrates the relationship between vernacular memorials – informal memorials collectively and spontaneously created from a variety of objects by the general public – and disaster songs. The author identifies the features that define vernacular memorials and applies them to disaster songs: spontaneity, ephemerality, importance of place, motivations and meaning-making, content, as well as the role of media in inspiring and disseminating memorials and songs. Visit the companion website: www.disastersongs.ca.
By:  
Imprint:   Routledge
Country of Publication:   United Kingdom
Dimensions:   Height: 229mm,  Width: 152mm, 
Weight:   430g
ISBN:   9781032431147
ISBN 10:   1032431148
Series:   SOAS Studies in Music
Pages:   218
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active

Heather Sparling is Professor of ethnomusicology and the Canada Research Chair in Musical Traditions at Cape Breton University in Canada.

Reviews for Disaster Songs as Intangible Memorials in Atlantic Canada

The book draws attention to an interesting phenomenon which certainly invites further study and alternative approaches. The corpus itself is a fascinating collection, and the website is an essential complement to the book (although it is rarely mentioned there). Sparling certainly offers answers to the questions she sets herself in terms of the significance of disaster songs as social and cultural responses to tragic death and contemporary death culture, how they arise and develop, the differential identities and motivations of those who compose them, the relationship of newer disaster songs to the musical history of the region and its influences, and the impact of media technologies on this phenomenon. Those interested will want to read this book and see if they agree. - Julia C. Bishop (University of Sheffield) for the Folk Music Journal


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