Our search has the following Google-type functionality:
If you use '+' at the start of a word, that word will be present in the search results.
eg. Harry +Potter
Search results will contain 'Potter'.
If you use '-' at the start of a word, that word will be absent in the search results.
eg. Harry -Potter
Search results will not contain 'Potter'.
If you use 'AND' between 2 words, then both those words will be present in the search results.
eg. Harry AND Potter
Search results will contain both 'Harry' and 'Potter'.
NOTE: AND will only work with single words not phrases.
If you use 'OR' between 2 single words, then either or both of those words will be present in the search results.
eg. 'Harry OR Potter'
Search results will contain just 'Harry', or just 'Potter', or both 'Harry' and 'Potter'.
NOTE: OR will only work with single words not phrases.
If you use 'NOT' before a word, that word will be absent in the search results. (This is the same as using the minus symbol).
eg. 'Harry NOT Potter'
Search results will not contain 'Potter'.
NOTE: NOT will only work with single words not phrases.
If you use double quotation marks around words, those words will be present in that order.
eg. "Harry Potter"
Search results will contain 'Harry Potter', but not 'Potter Harry'.
NOTE: "" cannot be combined with AND, OR & NOT searches.
If you use '*' in a word, it performs a wildcard search, as it signifies any number of characters. (Searches cannot start with a wildcard).
Search results will contain words starting with 'Pot' and ending in 'er', such as 'Potter'.
Partly of Spanish origin, Anais Nin was also of Cuban, French and Danish descent. She was born in Paris and spent her childhood in various parts of Europe. Her father left the family for another woman, which shocked Anais profoundly and was the reason for her mother to take her and her two brothers to live in the United States. Later Anais Nin moved to Paris with her husband, and they lived in France from 1924 to 1939, when Americans left on account of the war. She was analysed in the 1930s by Rene Allendy and subsequently by Otto Rank, with whom she also studied briefly in the summer of 1934. She became acquainted with many well-known writers and artists, and wrote a series of novels and stories. Her first book - a defence of D. H. Lawrence - was published in the 1930s. Her prose poem, House of Incest (1936) was followed by the collection of three novellas, Winter of Artifice (1939). The quality and originality of her work were evident at an early stage but, as is often the case with avant-garde writers, it took time for her to achieve wide recognition. The international publication of her Journals won her new admirers in many parts of the world, particularly among young people and students. Her novels, Ladders to Fire, Children of the Albatross, The Four-Chambered Heart, A Spy in the House of Love and Seduction of the Minotaur were first published in the United States between the 1940s and the 1960s, and eventually gathered in Cities of the Interior. She also wrote a collection of short stories, Under a Glass Bell. In the 1940s she began to write erotica for an anonymous client, and these pieces are collected in Delta of Venus and Little Birds (both published posthumously). Penguin also publish A Woman Speaks, a collection of lectures and interviews; Journal of a Wife,/i>, the third volume of The Early Diary of Anais Nin, 1923-1927; In Favour of the Sensitive Man and Other Essays; and, most recently, The Early Diary 1927-1931, which is the fourth volume of her diary. Henry and June, a chronicle of her passionate involvement with Henry Miller and his wife June Mansfield, and Incest are the new volumes of the 'unexpurgated diary' of Anais Nin, distinguishable from her previously published volumes by the references to both her husband and her love life. Her books have been translated into twenty-six languages around the world. During her later years Anais Nin lectured frequently at universities throughout the USA. In 1973 she received an honorary doctorate from Philadelphia College of Art and in 1974 was elected to the National Institute of Arts and Letters. She died in Los Angeles in 1977.
The unknown client who paid Anais Nin a dollar a page back in the 1940s to write erotica got his money's worth and to spare. After all, erotica is pornography with class, and Nih gives full measure of both: one feels her women who disrobe to some impetuous command were dressed in Paris, if not by Mainbocher at least in a Schiaparelli copy. Women wore garters then and men had buttons to their flies, articles now almost lost to the erotic imagination, as zippers and body stockings, too, will someday succumb to the march of progress. Nin boned up on Krafft-Ebing and the Kama Sutra to write these sensual episodes, and few rooms in the house of Eros are left unvisited, from pedophilia to sado-masochism. The truth is that she does it very well: slightly tongue-in-cheek, supremely unabashed - a woman of good family kicking up her French heels. This caviar was long denied the general public; once, no doubt, because of the puritanic temper of the times, and later because Nin feared that the words she wrote to order for a man (who proscribed poetry) would not throw any light on feminine sexuality. Luckily, she had second thoughts and released these pages before her recent death, and the only regret is that she won't be around to observe the delight they'll occasion. (Kirkus Reviews)