PERHAPS A GIFT VOUCHER FOR MUM?: MOTHER'S DAY
Alicia Foster is an art historian, curator and novelist. Her publications include Tate Women Artists (2004), Gwen John (2015), Nina Hamnett (2021) and the novel Warpaint (2013), and in 2019 she curated 'Radical Women: Jessica Dismorr and Her Contemporaries', the first-ever museum show to focus on Dismorr, for which she also wrote the highly praised catalogue.
'Beautifully illustrated throughout, the book breaks down the myth of the artist as a recluse and tells the story of her life, as well as painting a vivid portrait of London and Paris of her time' - The Artist 'A psychological portrait of a woman who helped develop her own mythology, not least through a combination of self-dramatisation and canny self-promotion … a welcome critical study of her work that acknowledges her ambition and places the artist within the various environments that inspired, shaped, and stimulated her' - Literary Review 'Exemplary in its social and art historical research' - Observer 'Foster’s book and Pallant House’s exhibition give us a different Gwen John: sensuous, single-minded and experimental in how she chose to live and work' - The Times 'Art historian Alicia Foster sets the record straight in this eminently lucid biography, revealing a well-connected personality embedded at the heart of international modernism' - Art Quarterly 'This new biography by art historian and long-term Gwen John scholar Alicia Foster re-examines John’s life and art in the light of previously unpublished archival material … Far from choosing to live an isolated existence, [Gwen John’s] many friendships with major artists, poets and writers of the day profoundly influenced her work, as is made abundantly clear from the wealth of illustrations' - Collagerie 'Fascinating, handsomely illustrated … not only illuminates John’s work and personality as never before, but dispels a number of legends that have grown up about her life' - The Lady 'A brisk, beautifully illustrated biography' - Daily Telegraph 'Foster shakes up the usual view of John, virtuosically reading her paintings not as quiet meditations on solitude and domesticity but as direct interventions in the world around her' - Times Literary Supplement 'Foster’s new biography, which stands in as a catalogue for the show, does a better job of prov¬ing John’s “worldliness”' - London Review of Books 'Foster’s study, splendidly illustrated throughout, is a genuinely critical biography: a careful gathering at every stage of John’s career of the impact on her life and work of different milieux and individuals, of her response to ideas and techniques, currents and influences, letting us see a great artist working out her own way to live, draw, and paint' - New York Review of Books
