Brian McAuley is a WGA screenwriter who has worked on everything from family sitcoms to horror films. He received his MFA in Screenwriting from Columbia University and he teaches at Mount Saint Mary's University in Los Angeles, where he currently resides. Curse of the Reaper is his first novel.
In Praise of CURSE OF THE REAPER Curse of the Reaper is the best kind of horror--one that's equal parts psychological nightmare and bone-crunching bloodshed. McAuley's novel is a grim amalgam, retelling the inner-struggle of a modern day Jekyll and Hyde and blending it (on high!) with every great 80's slasher movie ever made. Reaper tackles madness, addiction, the costs of stardom, and the innate servitude of every artist whose soul is chained to the growling, hungry beast within. A wonderful, terrifying, thrilling novel not to be missed. --Philip Fracassi, author of A Child Alone With Strangers In Curse of the Reaper, Brian McAuley carves a grinning specter from our cultural addictions to fandom and nostalgia, gleefully ripping through the boundaries between method and madness, pure scares and pitch-perfect schlock. With vividly wounded characters and a true fan's eye for the horror show, Curse of the Reaper is an unmissable glimpse behind the screen. --Gordon B. White, author of Rookfield and As Summer's Mask Slips and Other Disruptions The purpose of horror is to access the unconscious fears of the reader and exploit them. Brian McAuley does just that in Curse of the Reaper. An homage to the horror films of the 80's, he delivers horror in a way that will have you clutching the edge of your seat while whipping through the book until the very end. And I enjoyed every single page of it. --Tracy Cross, author of Rootwork Brian McAuley takes Method acting to maniacal meta-horror heights in his Poe-infused slasher Curse of the Reaper, which reads like a pitch-perfect riff off of Peter Bogdanovich's Targets, a Los Angeles-cast Cask of Amontillado, and a Jerry Stahl-penned tug-of-war between Boris Karloff and Kane Hodder. Read it. --Clay McLeod Chapman, author of The Remaking and Ghost Eaters A love letter to slashers, and a nod to our addictions. To drugs, to fame. To the memories of who we once were. --Jamie Flanagan, co-writer of Netflix's Midnight Mass and The Haunting of Bly Manor