Crossley argues that music is a form of social interaction, interwoven in the fabric of society and in constant interplay with its other threads. Musical interactions are often also economic interactions, for example, and sometimes political interactions. They can be forms of identity work, for both individuals and collectives, contributing to the reproduction or bridging of social divisions. Successive chapters of the book track and explore these interplays, in each case combining a critical consideration of existing literature with the development of an original, 'relational' approach to music sociology. The result is a grand sociological vision of music which captures not only music's context but 'the music itself'. The book will appeal to social scientists, musicologists and cultural scholars more widely. -- .
Manchester University Press
Country of Publication:
01 January 2020
Professional and scholarly
1 Introduction 2 Music as Social Interaction: Embedded, Embodied and Multivalent 3 Economic Interactions: Capitalism, Industry and the Mainstream 4 Mainstream and Beyond: The Musical Universe and its Worlds 5 Musicking Networks: Nodes, Ties and Worlds 6 Semiotic Interactions: Meaning, Communication and Affect 7 Practical Interactions: Use, Taste, Identity 8 Division, Inequality and Taste: Musicking in Social Space 9 Political Interactions: Publics, Protest and the Avant-Garde Discography Bibliography -- .
Nick Crossley is Professor of Sociology and co-founder/co-director of the Mitchell Centre for Social Network Analysis at the University of Manchester -- .