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Commotion In The Ocean

Giles Andreae David Wojtowycz

$16.99

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English
Orchard Books
01 May 1999
Dive into the ocean for a noisy rhyming romp packed with favourite sea creatures brought to life with fun, vibrant artwork. This bestselling picture book from an award-winning creative team is a delight to read aloud and share with young children.
By:  
Illustrated by:   David Wojtowycz
Imprint:   Orchard Books
Country of Publication:   United Kingdom
Dimensions:   Height: 298mm,  Width: 238mm,  Spine: 6mm
Weight:   201g
ISBN:   9781841211015
ISBN 10:   184121101X
Pages:   32
Publication Date:  
Recommended Age:   From 3 to 5 years
Audience:   Children/juvenile ,  0-5 years ,  English as a second language
Format:   Other merchandise
Publisher's Status:   Active

Giles Andreae is the hugely successful, immensely talented author behind numerous award-winning children's books, including the bestselling Giraffes Can't Dance. He is also the creator of the incredibly popular Purple Ronnie poetry range. Giles lives in London. David Wojtowycz is a talented artist and designer. He divides his time between London and Berlin. Giles and David have collaborated on several bestselling picture book titles including Dinosaurs Galore!, Rumble in the Jungle, Commotion in the Ocean and The Lion Who Wanted to Love, which won the Children's Book Award in 1998.

Reviews for Commotion In The Ocean

The round glass of a submarine porthole provides a window through which the animals of the ocean can be spied upon in all their commotion. Crab, turtle, dolphin, jellyfish, shark, and more come under the scrutiny of Andreae, who gives each one a rhyming stanza or limerick that is often sing-song. Attributes of each creatures - a shark's big mouth, a dolphin's sounds, a swordfish's skewer - provide the subject matter, but the treatment is humorous, not scientific. The arms of the mother octopus enable her to tickle all of her children on their stomaches simultaneously; a crab's sideways movements turn him into a sneaky spy. The illustrations further anthropomorphize the undersea creatures, giving each one curly eyelashes and smiling faces. The only innovation here is a poem about barnacles written in tiny type on the underside of a blue whale, as if the words themselves are clinging to the giant. Otherwise, this British import is ordinary and often amateurish. (Kirkus Reviews)


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