Color and the Moving Image

History, Theory, Aesthetics, Archive

Simon Brown, Sarah Street, Liz Watkins

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English

Routledge
19 November 2012

Cinematography, television camerawork; Films, movies & cinema; Media studies

Series: AFI Film Readers

This new AFI Film Reader is the first comprehensive collection of original essays on the use of color in film. Contributors from diverse film studies backgrounds consider the importance of color throughout the history of the medium, assessing not only the theoretical implications of color on the screen, but also the ways in which developments in cinematographic technologies transformed the aesthetics of color and the nature of film archiving and restoration. Color and the Moving Image includes new writing on key directors whose work is already associated with color--such as Hitchcock, Jarman and Sirk--as well as others whose use of color has not yet been explored in such detail--including Eric Rohmer and the Coen Brothers. This volume is an excellent resource for a variety of film studies courses and the global film archiving community at large.

Edited by: Simon Brown, Sarah Street, Liz Watkins
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 229mm, Width: 152mm, Spine: 15mm
Weight: 400g
ISBN: 9780415892643
ISBN 10: 0415892643
Series: AFI Film Readers
Pages: 288
Publication Date: 19 November 2012
Audience: College/higher education , Further / Higher Education , A / AS level
Format: Paperback
Publisher's Status: Active

Simon Brown is Senior Lecturer in Film Studies at Kingston University. He is coeditor of Investigating Alias: Secrets and Spies. Sarah Street is Professor of Film and Foundation Chair of Drama at the University of Bristol. She has published 11 books on film, including British National Cinema, British Cinema in Documents, and, as co-editor, Queer Screen: A Screen Anthology, all published by Routledge. Liz Watkins is Research Associate in the Department of Drama, Theatre, Film and Television at the University of Bristol.