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Bramante's Tempietto, the Roman Renaissance, and the Spanish Crown

Jack Freiberg (Florida State University)

$199.95

Hardback

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English
Cambridge University Press
10 November 2014
The Tempietto, the embodiment of the Renaissance mastery of classical architecture and its Christian reinvention, was also the pre-eminent commission of the Catholic kings, Ferdinand of Aragon and Isabel of Castile, in papal Rome. This groundbreaking book situates Bramante's time-honored memorial dedicated to Saint Peter and the origins of the Roman Catholic Church at the center of a coordinated program of the arts exalting Spain's leadership in the quest for Christian hegemony. The innovations in form and iconography that made the Tempietto an authoritative model for Western architecture were fortified in legacy monuments created by the popes in Rome and the kings in Spain from the later Renaissance to the present day. New photographs expressly taken for this study capture comprehensive views and focused details of this exemplar of Renaissance art and statecraft.

By:  
Imprint:   Cambridge University Press
Country of Publication:   United Kingdom
Dimensions:   Height: 261mm,  Width: 186mm,  Spine: 27mm
Weight:   1.170kg
ISBN:   9781107042971
ISBN 10:   1107042976
Pages:   350
Publication Date:  
Audience:   Professional and scholarly ,  Professional and scholarly ,  Undergraduate ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
1. Jerusalem in Rome; 2. Upon this rock; 3. Bramante's Christian temple; 4. Symbols of victory; 5. History and prophecy; 6. Papacy and crown.

Jack Freiberg is Professor of Art History at the Florida State University. He has been awarded fellowships by the Institute for Advanced Study, the American Academy in Rome, and the Samuel H. Kress Foundation. He is the author of The Lateran in 1600: Christian Concord in Counter-Reformation Rome (Cambridge University Press, 1995) and the co-editor of Medieval Renaissance and Baroque: A Cat's Cradle for Marilyn Aronberg Lavin.

Reviews for Bramante's Tempietto, the Roman Renaissance, and the Spanish Crown

'Jack Freiberg's wonderful new book, Bramante's Tempietto, the Roman Renaissance, and the Spanish Crown, makes the compelling case that Spanish patronage in papal Rome in the late-fifteenth and early-sixteenth centuries resulted in some of the city's most important architectural commissions, culminating in Bramante's extraordinary Tempietto ... [It] is a work so rich in scholarship that it leaves the reader begging for more - more text, more images, more color, and certainly more on Spanish Rome.' Victor Deupi, Sacred Architecture Journal 'The wealth of information in this monograph provides detailed coverage of Bramante's famous building together with some of its possible historical, political and religious contexts.' David Hemsoll, The Burlington Magazine 'This book is a treasure trove of information on possible meanings of Bramante's Tempietto ... Freiberg's research greatly strengthens earlier tentative suggestions for seeing the overall form of the Tempietto as alluding to both the Holy Sepulcher and to the Dome of the Rock in Jerusalem ...' Ian Campbell, Renaissance Quarterly Jack Freiberg's wonderful new book, Bramante's Tempietto, the Roman Renaissance, and the Spanish Crown, makes the compelling case that Spanish patronage in papal Rome in the late-fifteenth and early-sixteenth centuries resulted in some of the city's most important architectural commissions, culminating in Bramante's extraordinary Tempietto ... [It] is a work so rich in scholarship that it leaves the reader begging for more - more text, more images, more color, and certainly more on Spanish Rome. Victor Deupi, Sacred Architecture Journal The wealth of information in this monograph provides detailed coverage of Bramante's famous building together with some of its possible historical, political and religious contexts. David Hemsoll, The Burlington Magazine 'This book is a treasure trove of information on possible meanings of Bramante's Tempietto ... Freiberg's research greatly strengthens earlier tentative suggestions for seeing the overall form of the Tempietto as alluding to both the Holy Sepulcher and to the Dome of the Rock in Jerusalem ...' Ian Campbell, Renaissance Quarterly


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