Boys Alive

Pier Paolo Pasolini, Tim Parks, Tim Parks

$37.99

Paperback

In stock
Ready to ship

QTY:

English

New York Review of Books
21 November 2023

Fiction & Literature; Crime & Mystery

"Boys Alive, published in 1955, was Pier Paolo Pasolini's first novel and remains his best-known work of fiction. He'd moved to Rome a few years before, after finding himself embroiled in a provincial sex scandal, and the impact of the city on Pasolini-its lively, aggressive dialect, its postwar squalor and violence-was accompanied by a new awareness that for him respectability was no longer an option- ""Like it or not, I was tarred with the brush of Rimbaud . . . or even Oscar Wilde."" Urgently looking for teaching work, walk-on parts in films, literary journalism, anything to achieve independence and security, he was drawn to other outcasts who cared nothing for bourgeois values, who lived intensely, carelessly, refusing to be hampered by scruple and convention.

This was the context in which he began to work on a novel, and though socialism was the intellectual and artistic fashion of the day and Pasolini was a socialist, his book was completely free of any sentimental or patronizing concern for the plight of the underprivileged. Pasolini revels in the vitality of the squalor he so lavishly and energetically evokes. In Boys Alive, he devotes his native lyricism and vast literary resources to conjuring up an urban inferno as vast and hideous as it is colorful and dynamic.

There is no grand plot, but Pasolini's narrative voice moves like a heat-seeking missile, infallibly locking onto situations of great intensity, conflict and comedy. Possessing nothing, his young characters fight to survive and to live. At all costs they must have fun; boredom is death. And if food and fun must be paid for, then money will be found- looting, hustling, scavenging, stealing. Once found it is immediately squandered on sharp clothes and shoes, drunk away, gambled away, or simply lost. Boasting and exhibitionism are the norm, and every boy aspires to be the toughest, the shrewdest, the most unscrupulous punk on the block. As each new episode begins-a warehouse heist, an evening's gambling, a search for sex-the reader can only tremble, waiting for disaster to strike. Everything is up in the air. Nothing is predictable.

Tim Parks' new translation of Pasolini's early masterpiece brings out the salt and intelligence of this vital and never less than scandalous work of art.

A daring novel, once widely censored, about the scrappy, harrowing,

and inventive lives of Rome's unhoused youth by one of Italy's greatest

film directors.

Boys Alive, published in 1955, was Pier Paolo Pasolini's firstwork of fictionand it remains his best known. Written in the aftermath of Pasolini's move from the provinces to Rome, the novel captures the. hunger and anger, waywardness and squalor ofthe big city. The life of the novel is the life of the city streets; from the streets, too, come its raw, mongrel, assaultive language. Here unblinkered realism and passionate lyricism meet in a vision of a vast urban inferno, blazing with darkness and light.

There is no one story to the book, only stories, splitting off, breaking away, going nowhere, flaming out, stories in which scenes of comic debacle, bitter conflict, wild joy, and crushing disappointment quickly follow. Pasolini's young characters have nothing to trade on except youth, andthe struggle to live is unending. They loot, hustle, scavenge, steal. Somehow money will turn up; as soon as it does it will get spent. The main thing, in any case, is to have fun, and so the boys boast and vie, the desperate uncertainty of their days and nights offset by the fabulous inventiveness of their words. A warehouse heist, a night of gambling, the hunt for sex- The world of Boys Alive is a world inconvulsionwhere at any instant disaster may strike.

Tim Parks' new translation of Pasolini's early masterpiece brings out the salt andbrilliance of a still-scandalous work of art."

By: Pier Paolo Pasolini
Introduction by: Tim Parks
Translated by: Tim Parks
Imprint: New York Review of Books
Country of Publication: United States
Dimensions: Height: 202mm, Width: 127mm, Spine: 17mm
Weight: 232g
ISBN: 9781681377629
ISBN 10: 1681377624
Pages: 224
Publication Date: 21 November 2023
Audience: General/trade , ELT Advanced
Format: Paperback
Publisher's Status: Active

Pier Paolo Pasolini (1922-1972) was an Italian filmmaker and writer known for his defiance of the political, social, and artistic status quos of postwar Italy. In his work across mediums, he broached taboo topics in relation to sexuality, religion, and the condition of the poor. In the 1950s, he became well-known in Italy for his novels and poetry, winning the Viareggio Prize for the latter in 1957. In the 1960s and 70s, he was catapulted to international fame for his films, including The Gospel According to Saint Matthew, Mamma Roma, Sal , Oedipus Rex, and The Hawks and the Sparrows. Tim Parks is a British author and translator. His novels include Tongues of Flame, which won the Betty Trask Award and Somerset Maugham Award, and Europa, which was shortlisted for the Man Booker Prize. He is also known for his nonfiction work on Italian culture and his translations of Alberto Moravia, Antonio Tabucchi, and Niccol Machiavelli, among others, from the Italian. He lives in Italy.

Reviews for Boys Alive

"""Pasolini’s debut novel.... given a new translation by Parks, foreshadows his focus as a filmmaker on restless and sometimes dangerous young men struggling to survive the mean streets of postwar Rome. As Parks reveals in his illuminating introduction, Pasolini 'confessed' that the novel has no plot....Pasolini’s fans will find this eye-opening."" —Publishers Weekly"