Laura Tunbridge is Professor of Music and Henfrey Fellow of St Catherine's College at the University of Oxford. She is the author of three monographs - Schumann's Late Style, The Song Cycle and Singing in the Age of Anxiety - and the recipient of a three-year Major Research Fellowship from the Leverhulme Trust for a project on string quartets. She has spoken about Beethoven on BBC Radio 4 and at major events, including at the Southbank Centre. This is her first trade book.
We are doubly blessed that Beethoven should have led such an extraordinary life. Laura has combined the two - the genius of his music and the richness of his experiences - to shine a revealing light on our greatest composer -- John Humphrys Elegant, enquiring and best read with the music turned up -- Julian Glover * Evening Standard * I found Tunbridge's book full of thought-provoking detail. Beethoven may be irredeemably pale and male, but, in this far-ranging discussion, his life and revolutionary music never feel stale -- Richard Morrison * The Times * A concise, subtly revealing survey... emphasizing the many-sidedness of the composer's spirit -- Alex Ross * New Yorker * This book is really wonderful! Nine works of Beethoven from different times in his life tell the story of that life - nine windows through which the man and his music are revealed with captivating clarity. We often speak about the 'universal spirit' of Beethoven but this book also brings to life how he fits into, and indeed creates, the new universe of cultural life which was born as the nineteenth century began. However many books on Beethoven you own, find the space for one more. This one -- Stephen Hough, pianist, composer, writer In a year when everyone's looking for a new take on Beethoven, Laura Tunbridge has found nine. It makes great sense to look at the composer not thematically but in selected fragments, taking us nine small steps closer to his elusive totality. Fresh and engaging -- Norman Lebrecht, author of Genius and Anxiety I truly enjoyed reading it . . . Excellent . . . Laura Tunbridge upends the two-centuries-old image of Beethoven as a Promethean Titan heroically composing works of genius on his isolated rock of suffering. She convincingly argues that Beethoven's current iconic status must be understood within the context of his financial dealings and lifetime of often affable, sometimes acerbic, vibrant interchanges with family members, other composers, patrons, friends, musicians, singers, publishers, producers, and makers of musical instruments. Her detailed musical analyses of familiar as well as now rarely-performed works of Beethoven converse with one another as well as with other music of the era and with quotidian life in Vienna. This well researched and accessible book is a must read for all who seek to know more about the flesh and blood tangible Beethoven and the checkered history of his reception than about the Beethoven of unfathomable mythic immensity -- John Clubbe, author of Beethoven: The Relentless Revolutionary Mark that young man, he will make a name for himself in the world -- Mozart after hearing the young Beethoven play Tunbridge has come up with the seemingly impossible: a new way of approaching Beethoven's life and music . . . and in every chapter a superb - and accessible to non-musicians - analysis of the music . . . profoundly original and hugely readable -- John Suchet, author Beethoven: The Man Revealed Remarkable . . . she captures the essence of his genius and character. I'll always want to keep it in easy reach -- Julia Boyd, author of Travellers in the third Reich