Handel on the Stage

David Kimbell (University of Edinburgh)

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English

Cambridge University Press
24 January 2019

Baroque music (c 1600 to c 1750); Opera; Individual composers & musicians, bands & groups

Of all the great composers of the eighteenth century, Handel was the supreme cosmopolitan, an early and extraordinarily successful example of a freelance composer. For thirty years the opera-house was the principal focus of his creative work and he composed more than forty operas over this period. In this book, David Kimbell sets Handel's operas in their biographical and cultural contexts. He explores the circumstances in which they were composed and performed, the librettos that were prepared for Handel, and what they tell us about his and his audience's values and the music he composed for them. Remarkably no Handel operas were staged for a period of 170 years between 1754 and the 1920s. The final chapter in this book reveals the differences and similarities between how Handel's operas were performed in his time and ours.

By: David Kimbell (University of Edinburgh)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Dimensions: Height: 245mm, Width: 188mm, Spine: 11mm
Weight: 450g
ISBN: 9780521521604
ISBN 10: 0521521602
Pages: 224
Publication Date: 24 January 2019
Audience: College/higher education , Professional and scholarly , Primary , Undergraduate
Format: Paperback
Publisher's Status: Active

David Kimbell is Emeritus Professor of Music at the University of Edinburgh. His publications include Verdi in the Age of Italian Romanticism (Cambridge, 1981), Italian Opera (Cambridge, 1991) and Vincenzo Bellini: Norma (Cambridge, 1998). He has also contributed to The Cambridge Handel Encyclopedia, The Cambridge History of Italian Literature and The Oxford Companion to Italian Literature, and has edited volumes for Hallische Händel-Ausgabe and Works of Giuseppe Verdi.

Reviews for Handel on the Stage

'Not only do the carefully selected examples superbly articulate the points Kimbell wishes to make, but readers are also provided with a range of additional elements to help them follow the argument or fill potential gaps in background knowledge. ... This well-written study is an essential read for anyone with an interest in Handel's operas.' Matthew Gardner, Early Music