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Sadie Jones is a novelist and screenwriter. Her first novel, The Outcast ('Devastatingly good', Daily Mail) won the Costa First Novel Award in 2008 and was shortlisted for the Orange Prize. It was also a Richard and Judy Summer Reads number one bestseller and adapted for BBC Television. Her second novel, Small Wars ('Outstanding', The Times; 'One of the best books about the English at war ever', Joel Morris), was published in 2009, and longlisted for the Orange Prize. Her third, in 2012, was The Uninvited Guests ('A shimmering comedy of manners and disturbing commentary on class... a brilliant novel', Ann Patchett) followed by Fallout in 2014 ('Intoxicating and immersive', The Sunday Times).
Sadie Jones is such an enjoyable novelist to spend time with. Her books are so easy to read, while each sentence is rich in meaty observation... Elegantly atmospheric... The Snakes left me breathless -- Claire Allfree * Daily Mail * The Snakes is superbly written, each sentence punctuated by a drumbeat of menace, each word placed with a master's touch. I keep thinking about the questions it poses: about what it is to be good in these imperfect times; about how we can protect our humanity in the face of narcissism and greed. Yet for all its depth and mystery, The Snakes is also just a thrillingly good read -- Elizabeth Day The Snakes asks serious questions about human nature, avarice and justice, wrapped in the fast-paced rhythms of a thriller. It is written with Jones's trademark economy and a fierce attention to the nuances of familial cruelty... I finished The Snakes with a juddering heart, strangely close to tears -- Elizabeth Lowry * Guardian * The Snakes is gripping from the outset, then finally unputdownable. The writing is magnificent. One of the most powerful and uncompromising novels I've read in years. -- Jonathan Coe Ever since her debut, The Outcast, Jones has peopled her propulsive plots with nuanced, dimensional creations imbued with human failings and graces. The Snakes is no exception... Jones crafts a pitiless shock ending; a denouement that refuses closure and resonates long after the book is set aside... [the ending is] bound to become a talking point -- Suzi Feay * Financial Times *
