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German
Vintage
07 October 2025
A woman is unnerved when a sinister package arrives in the post - containing her old diary entries. Strange and gripping, this is the unmistakable work of Marlen Haushofer, mistress of sustained dread and author of the cult classic, The Wall.

An Austrian housewife sits in her loft intent on her drawings of birds and insects.

The loft is a retreat where she can work undisturbed. It is also a retreat from her dull and dissatisfied husband, a man who sighs unhappily even when she sneezes. Their grown-up children are living independent lives and the house is very quiet. Her dreams are filled with domestic drudgery.

Then one day, a package arrives containing extracts from the narrator's diary, written twenty years before. Back then she had been sent away to a remote cottage in a bid to 'cure' her from unexplained sudden deafness. More mysterious packages containing old diary entries arrive. Who is sending them? And what did happened all those years ago in the forest?

'A thrilling novel... What gives this book its tremendous power? First the voice is charming, with a skittish beauty throughout... But there is also disarming honesty, and a lack of vanity, which appeals as only truth can' John Self, Guardian

TRANSLATED BY AMANDA PRANTERA
By:  
Translated by:  
Imprint:   Vintage
Country of Publication:   United Kingdom
Dimensions:   Height: 206mm,  Width: 140mm,  Spine: 24mm
Weight:   306g
ISBN:   9781529953473
ISBN 10:   1529953472
Pages:   240
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active

Marlen Haushofer (Author) Marlen Haushofer (1920-1950) was born in Frauenstein, Austria, the daughter of a forester. After the Second World War, she worked in her husband's dentistry practice and had two children, but before long she began publishing short stories in magazines. She lived something of a double life, splitting her time between being a quiet, traditional housewife in Steyr, and a writer in fashionable literary circles in Vienna. Her most enduring work was The Wall, first published in 1963, and now considered a classic of dystopian fiction.

Reviews for The Loft

Her prose is a model of simplicity and concision; but the pictures which her sentences paint are enigmatic, overdetermined, elusive. We can claim her books for feminism, for eco-politics, for existentialism or psychoanalysis, or we can take them as thrillers or dreams * London Review of Books *


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