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John Updike was born in 1932 in Shillington, Pennsylvania. He is the author of over fifty books, including The Poorhouse Fair; the Rabbit series (Rabbit, Run; Rabbit Redux; Rabbit Is Rich; Rabbit At Rest); Marry Me; The Witches of Eastwick, which was made into a major feature film; Memories of the Ford Administration; Brazil; In the Beauty of the Lilies; Toward the End of Time; Gertrude and Claudius; and Seek My Face. He has written a number of collections of short stories, including The Afterlife and Other Stories and Licks of Love, which includes a final Rabbit story, Rabbit Remembered. His essays and criticism first appeared in publications such as the New Yorker and the New York Review of Books, and are now collected into numerous volumes. Collected Poems 1953-1993 brings together almost all of his verse, and a new edition of his Selected Poems is forthcoming from Hamish Hamilton. His novels, stories, and non-fiction collections have won have won the Pulitzer Prize, the National Book Award, the PEN/Faulkner Award, the American Book Award, the National Book Critics Circle Award, the Rosenthal Award and the Howells Medal. Updike graduated from Harvard College in 1954, and spent a year at Oxford's Ruskin School of Drawing and Fine Art. From 1955 to 1957 he was a member of staff at the New Yorker, and he lived in Massachusetts from 1957 until his death in January 2009.
One of the greatest American writers of the 20th century . . . Brilliant, riveting and essential for anyone remotely interested in Updike; shockingly salacious enough to enthral the remotely curious; and cleverly annotated for easy reading . . . The best letters are those to his wives in the 1970s, where you realise that Updike’s greatness as a writer lies not in his much-lauded descriptive powers, nor in his ability to weave arcane areas of computer science or theology into his fiction, but in his ruthlessly honest psychological acuity, as he lays himself bare — right down to admitting he likes to beat his wife’s lover at golf * The Times * By turns fascinating, embarrassing, and even moving, the letters reveal that Updike’s ceaseless coupling was never quite about lust at all. It was about faith — about locating meaning amid the mundanities of the modern world * UnHerd * Missives from the mountain. . . . A sprightly and revealing collection by the writer who captured postwar American life, love, and loss * Kirkus *
